Characteristics of Women, Moral, Poetical, and Historical: With Fifty Vignette Etchings, 2 tomasSaunders and Otley, 1833 |
Knygos viduje
Rezultatai 1–5 iš 35
16 psl.
... imagination , and the predisposition to jealousy with which Shakspeare has portrayed him , be considered as an excuse . Hermione has been openly insulted : he to whom she gave herself , her heart , her soul , has stooped to the weakness ...
... imagination , and the predisposition to jealousy with which Shakspeare has portrayed him , be considered as an excuse . Hermione has been openly insulted : he to whom she gave herself , her heart , her soul , has stooped to the weakness ...
18 psl.
... imagination , " the depth , but not the tumult of the soul , " - there are but two influences which predominate over the will , -time and religion . And what then remained , but that , wounded in heart and spirit , she should retire ...
... imagination , " the depth , but not the tumult of the soul , " - there are but two influences which predominate over the will , -time and religion . And what then remained , but that , wounded in heart and spirit , she should retire ...
31 psl.
... imagination ; —that of Desdemona to the feelings . All that can render sorrow majestic is gathered round Hermione ; all that can render misery heart - breaking is assembled round Desdemona The wronged but self - sustained virtue of Her ...
... imagination ; —that of Desdemona to the feelings . All that can render sorrow majestic is gathered round Hermione ; all that can render misery heart - breaking is assembled round Desdemona The wronged but self - sustained virtue of Her ...
38 psl.
... turn for the marvellous , whose susceptible imagination had first directed her thoughts and affections to Othello , is precisely the woman to be frightened out of her 38 CHARACTERS OF THE AFFECTIONS . THE FLIGHT FROM ACTIUM.
... turn for the marvellous , whose susceptible imagination had first directed her thoughts and affections to Othello , is precisely the woman to be frightened out of her 38 CHARACTERS OF THE AFFECTIONS . THE FLIGHT FROM ACTIUM.
40 psl.
... imagining , rather than perceiving , what is in their hearts . We women have this address ( if so it can be called ) naturally , but I have seldom met with it in men . It is not inconsistent with extreme simplicity of character , and ...
... imagining , rather than perceiving , what is in their hearts . We women have this address ( if so it can be called ) naturally , but I have seldom met with it in men . It is not inconsistent with extreme simplicity of character , and ...
Pagrindiniai terminai ir frazės
admirable affection Ambrogiolo Antigone Antony Antony and Cleopatra APOLLODORUS ARSINOE Arthur beauty Bretagne Cæsar character CHARMIAN CLEOPATRA Cloten colouring Constance Cordelia CORIOLANUS Creon CRESSIDA CYMBELINE daughter death delicacy delineation Desdemona dignity DOLABELLA dramatic duchy of Bretagne Elinor eloquence eyes false fancy father fear feeling female feminine fond gentle give grace grandeur grief hate hath heart heaven Hermione heroine honour husband Iachimo Iago imagination Imogen Juliet Katherine king Lady Macbeth Lear LEONTES lord madam manner Mark Antony maternal MESSENGER mind mistress mother nature never noble Octavia Othello passion pathos Paulina perfect PISANIO pity play Plutarch poetical poetry Polynices poor Portia portrait Posthumus pr'ythee pride queen racter Roman Rome royal scene sentiment Shak Shakspeare Shakspeare's simplicity sisters soul speak spirit story sweet tears temper tenderness thee thing thou art tion tragedy TROILUS true truth virtue VOLUMNIA whole wife woman women words Zinevra
Populiarios ištraukos
228 psl. - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
318 psl. - Like the poor cat i' the adage? Macb. Prithee, peace I dare do all that may become a man; Who dares do more is none. Lady M. What beast was't then That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man.
315 psl. - Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion X Whose horrid image doth unfix my hair.
104 psl. - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man ; Yet I am doubtful ; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments, nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.
318 psl. - As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
317 psl. - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
291 psl. - Orpheus with his lute made trees. And the mountain-tops that freeze, Bow themselves, when he did sing : To his music, plants and flowers Ever sprung ; as sun and showers There had made a lasting spring.
152 psl. - We'll bury him; and then, what's brave, what's noble, Let's do it after the high Roman fashion, And make Death proud to take us. Come, away; This case of that huge spirit now is cold. Ah, women, women! come; we have no friend But resolution, and the briefest end.
40 psl. - But here's my husband; And so much duty as my mother show'd To you, preferring you before her father, So much I challenge that I may profess Due to the Moor, my lord.
322 psl. - Yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way. Thou wouldst be great, Art not without ambition, but without The illness should attend it. What thou wouldst highly That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win.