Early Poems

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Penguin, 1998-12-01 - 240 psl.

Millay's first three books of lyrics and sonnets are collected here: Renascence, Second April, and A Few Figs from Thistles. With a balanced and appreciative introduction and useful annotations, this volume presents some of the Pulitzer Prize-winning poet's best work in which she weaves intellect, emotion, and irony.


For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. 

 

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INTRODUCTION
SUGGESTIONS FOR FURTHER READING
A NOTE ON THE TEXT
Renascence
3
Interim
11
The Suicide
19
Gods World
24
Afternoon on a Hill
25
I shall forget you presently my dear
76
Spring
79
City Trees
80
The BlueFlag in the Bog
81
Journey
89
EelGrass
91
Elegy Before Death
92
The BeanStalk
93

Sorrow
26
Tavern
27
Ashes of Life
28
The Little Ghost
29
Kin to Sorrow
31
Three Songs of Shattering
32
The Shroud
34
The Dream
35
Indifference
36
WitchWife
37
Blight
38
When the Year Grows Old
40
Thou art not lovelier than lilacsno
42
Time does not bring relief you all have lied
43
Mindful of you the sodden earth in spring
44
Not in this chamber only at my birth
45
If I should learn in some quite casual way
46
Bluebeard
47
First Fig
51
Recuerdo
52
Thursday
53
To the Not Impossible Him
54
Macdougal Street
55
The SingingWoman from the Woods Edge
57
She Is Overheard Singing
59
The Prisoner
61
The Unexplorer
62
Grownup
63
The Penitent
64
Daphne
65
Portrait by a Neighbour
66
Midnight Oil
67
The Merry Maid
68
To Kathleen
69
To S M
70
The Philosopher
71
I do but ask that you be always fair
72
Love though for this you riddle me with darts
73
I think I should have loved you presently
74
Oh think not I am faithful to a vow
75
Weeds
95
Passer Mortuus Est
96
Pastoral
97
Assault
98
Travel
99
LowTide
100
Song of a Second April
101
Rosemary
102
The Poet and His Book
103
Alms
108
Inland
110
To a Poet that Died Young
111
Wraith
113
Ebb
115
Elaine
116
Burial
117
Mariposa
118
The Little Hill
119
Doubt No More that Oberon
120
Lament
121
Exiled
122
The Death of Autumn
124
Ode to Silence
125
Memorial to D C
133
Wild Swans
139
We talk of taxes and I call you friend
140
Into the golden vessel of great song
141
Not with libations but with shouts and laughter
142
Only until this cigarette is ended
143
Once more into my arid days like dew
144
No rose that in a garden ever grew
145
When I too long have looked upon your face
146
And you as well must die beloved dust
147
Let you not say of me when I am old
148
Oh my beloved have you thought of this
149
As to some lovely temple tenantless
150
Cherish you then the hope I shall forget
151
EXPLANATORY NOTES
153
INDEX OF TITLES AND FIRST LINES
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Apie autorių (1998)

Edna St. Vincent Millay was born in 1892 in Rockland, Maine, and grew up in the seaside town of Camden. She published her first poems as a teenager and, at twenty, her long poem “Renascence” appeared in the anthology The Lyric Year. At Vassar, she developed her talents and reputation as a dramatist and actor. After graduating in 1917, Millay moved to Greenwich Village in New York City where she gave poetry readings and became known for her freedom of thought and feminist views. Her poetry was published in several magazines, including Vanity Fair, Poetry, and Forum. Her first book, Renascence and Other Poems (1917), was followed in 1920 by A Few Figs from Thistles (an expanded edition appeared in 1922) and in 1921 by Second April.

In 1923, upon her return from two years of writing and traveling in Europe, Millay received the second annual Pulitzer Prize for Poetry and published a new collection, The Harp-Weaver and Other Poems. Millay published five more collections of poetry: The Buck in the Snow (1928), Fatal Interview (1931), Wine from These Grapes (1934), Huntsman, What Quarry? (1939), Make Bright the Arrows (1940); a prose collection under her pen name, Nancy Boyd, titled Distressing Dialogues (1924; its foreword carried Millay’s byline); a translation, with George Dillon, of Baudelaire’s Flowers of Evil (1936); the verse dramas Conversation at Midnight (1937) and The Murder of Lidice (1942); and several plays. Her final book was the posthumously published Mine the Harvest (1954), edited by her younger sister Norma. Edna St. Vincent Millay died in 1950.

Holly Peppe, who holds a master of arts in teaching from Brown University and a Ph.D. in English from the University of New Hampshire, is a former professor and director of the English department at the American College of Rome and a National Endowment for the Humanities scholar. Dr. Peppe—whose doctoral dissertation focuses on Millay’s critical reception and sonnet sequences, and who often lectures on Millay—has served as president of the Edna St. Vincent Millay Society since 1987. The Society is responsible for the preservation of Steepletop, the poet’s home (designated a National Public Landmark) in Austerlitz, New York, and the placement of the poet’s archives and family papers. Dr. Peppe is also involved with the Millay Colony for the Arts, an artists’ retreat at Steepletop founded in 1973 by Norma Millay. Dr. Peppe’s own poetry, translations, articles, and essays have appeared in numerous books and periodicals. She lives in New York City.

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