Some Shakespearean ThemesChatto & Windus, 1966 - 183 psl. |
Knygos viduje
Rezultatai 1–3 iš 54
63 psl.
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
203 psl.
... give them shape , or time to act them in . What should such fellows as I do crawling between heaven and earth ? We are arrant knaves all ; believe none of us . Go thy ways to a nunnery . We may for the moment leave on one side the ...
... give them shape , or time to act them in . What should such fellows as I do crawling between heaven and earth ? We are arrant knaves all ; believe none of us . Go thy ways to a nunnery . We may for the moment leave on one side the ...
252 psl.
... Give me thy arm : I do not think it is a merely personal reaction to find here - in some unanalysable effect of tone and movement - something corresponding to the more marked counter - turn of Cordelia's reappearance . 22. Professor ...
... Give me thy arm : I do not think it is a merely personal reaction to find here - in some unanalysable effect of tone and movement - something corresponding to the more marked counter - turn of Cordelia's reappearance . 22. Professor ...
Turinys
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words