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THE PELMAN LANGUAGE INSTITUTE, Suite L-939, 71 West 45th St., New York City. I am interested in French Spanish Name German Italian FOR HOME Now Ready, in New and Attractive Format Margaret Lynn's Splendid Story The Land of Promise With 8 illustrations by Gayle Hoskins THIS stirring tale of a brave girl learning to grow up in the turbulent frontier epoch, when covered wagons left Ohio for the Kansas plains, is notable for the unusual imaginative skill as well as historical knowledge which Miss Lynn brings to it. In the handsome new format with which the publishers have provided the new edition it makes an unusually pleasing gift book for any who enjoy an absorbing narrative of this vigorous period in our history. $2.10 postpaid from THE ATLANTIC MONTHLY BOOKSHOP 8 Arlington Street, Boston You need this English is a living, growing language-how An up-to-date dictionary, modern in vocabulary, defi- Easy to use. Large, clear type selected by scientific THIN PAPER EDITION. Size 63/4 x 83/2 001 Winston Building THE JOHN C. WINSTON CO., Philadelphia 901 Winston Building, Philadelphia, Pa. Please send, all charges prepaid, the New Encyclo- Art Kraft Edition, $5.00. Name............. A BLESSED COMPANION IS A BOOK Appreciating the national popularity of reading clubs and circulating libraries, the Editor of the Bookshelf has compiled a list of the most prominent books, fiction and non-fiction, that have appeared in the last twelvemonth. This list has been selected from the suggestions of the nine librarian advisers of the Atlantic; it will be sent with our compliments to committees and members of reading clubs and other interested persons. Requests should be addressed to the Editor of the Bookshelf, Atlantic Monthly, 8 Arlington Street, Boston (17), Mass. Swan Song, by John Galsworthy. New York: Charles Scribner's Sons. 1928. 12mo. 360 pp. $2.50. 'SOAMES FORSYTE is dead!' So readers will exclaim who have followed the fortunes of the Forsyte family from The Man of Property through In Chancery, To Let, The White Monkey, and The Silver Spoon, to reach their pathetic conclusion in this novel. And they will feel a kind of homesickness to think that no longer will they be able to trace new threads in the history of the ten children of 'superior Dossett' and of their children to the third generation: Old Jolyon and Young Jolyon, Irene, Holly, Val, Jon, Fleur, and the rest. Looked at in retrospect, the Forsyte saga is an astonishing accomplishment, probably unexcelled in scope, variety, and interest since the Comédie Humaine. Steadily and with almost unflagging genius, Mr. Galsworthy has unfolded the history of this hard-headed race, whose motto might have been 'Thatte I please I wylle,' like the writer of a symphony, developing his two themes of Property and Beauty or Freedom, in a thousand variations. The two themes are epitomized in the stories of Soames and Irene: poor Soames, whose tragedy, as the author once said, is the 'very simple, uncontrollable tragedy of being unlovable,' and Irene, who is a 'concretion of disturbing Beauty impinging on possessive world.' a In Swan Song, Soames wins the reader's love at last, I think, even though Fleur, whom he worries over like a hen with one chick, cannot until the very end 'love him as he thinks he ought to be loved.' Remembering his own hopeless attempt to win the affection of his first wife, Irene, he beholds his daughter married to an estimable man, Michael, whom she has never loved, and desperately trying to recapture the love of Jon, now married, from whom she was separated in a former novel. Fleur is the same Fleur, though perhaps more pathetic, still exhibiting that 'lack of continuity' which the Chinese artist had expressed in the eyes of the White Monkey and which Soames considers to be the special disease of this age. She typifies a world at loose ends. But when Jon returns from America, she determines desperately to win the happiness which she has lost seven years before. She fails because Jon has found other interests, but even in failure she is not sure of her own desires. Her father dies in saving her life, and by his deathbed she seems at last to understand him, though one cannot be sure. Fleur is, as her husband, Michael, says, 'a bird shot with both barrels,' and there seems to be no special reason why life should have treated her as it has done. Michael sums up the entire history at the end: 'An ironical world queerly ironical, with shape melting into shape, mood into mood, sound into sound, and nothing fixed, unless it were the instinct within all living things which said: “Go on!” The Eternal Mood at work!... Moving on in the mysterious rhythm that one called Life. Who could arrest the moving Mood who wanted to?' One cannot find words to express one's admiration for the firmness and beauty with which the story is told, and for the sustention of purpose which the author has displayed in planning and in carrying out his plan in the entire series. Swan Song is a fitting conclusion to the saga on a somewhat minor key, perhaps, but showing no falling off of power, humor, or poetry. It can be read with interest without the preceding novels, and is a fine novel without them; but for a full appreciation of it the reader should turn back for its roots. In the series, Mr. Galsworthy has said, an age is 'embalmed.' One prefers to say that in it an age lives. R. M. GAY Europe, by Count Hermann Keyserling. New York: Harcourt, Brace & Co. 1928. 8vo. 399 pp. $5.00. THERE is an element of mischief in this book. It is the purposeful and ponderous mischief of a philosopher, but nevertheless obvious, and even confessed in the preface, where the author says that 'whosoever takes offence at one or another piece of banter is simply not playing the game.' That safeguarding clause is directly associated with the text from Romans iii. 23, 'For all have sinned, and come short of the glory of God,' which we are assured bespeaks the true soul of the book. Whether or not the Bible verse is part |