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PO BE SURE! It is like a reception-a brilliant gathering of famous people only. But, you can attend this reception when and where you choose. You take one of those precious evenings that are yours to do as you please you settle yourself in that most comfortable chair-you are ready for the Golden Pageant!

Here is Stevenson-fresh and versatile as you'd always remembered him. Here comes Robert Burdette to give you a laugh and a sly poke in the ribs. And next to him, Josh Billings, the humorist that Lincoln loved. Stop! and catch your breath-Voltaire, the cynic with the devastatingly clear mind-you wait on tip-toe to catch the piercing satire of his words. Now Lincoln Colcord whispers in your ear strange mysteries of the China Sea. You pause while Edgar Allan Poe recites a tale that chills your spine. Henry Adams, æsthete, offers to lead you through the shrouded beauty of vast cathedrals.

Ah! here is a real citizen of the world-the incomparable Achmed Abdullah, son of an Afghan prince. H. C. Witwer, slangy and breezy interpreter of sporting life, waits to make your acquaintance. Here is John B. Watson ready to explain the mechanism of your own behavior. The inimitable Dumas sweeps down upon you there! you are launched in the romantic glories of pre-revolutionary France. Thrill after thrill!

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PEN any volume of The Harvard Class at random and read. mediately you are ught in the gripping chantment that only the greatest iting can bring to you. You may find yourself a byinder at the glorious pageant of ypt's colorful history. You may with Sindbad, trapped in a valley glittering diamonds guarded by nomous serpents, or thrust into thick of the fight of Bunker Hill th a man who actually witnessed battle. You may meet the using characters in a Sheridan medy and laugh at the immortal mor of this great playwright. Perhaps you will wander into brilt Carthage when it was the Onte Carlo of its time or stroll ough the almost magic kingdoms Ancient Syria.

Every page is a new wonderland of ght. You become immediately intie with the greatest minds, the most resting characters, the most thrilling modes of all time.

You may ship with Darwin on his velous cruise of the Beagle and sail ugh limitless uncharted seas, revelling he myriad marvels of nature. From an intimate encounter with the p wit of Ben Franklin to following reek hero in adventure without equal; the stirring chronicles of Carlyle to riotous pranks of Don Quixote; The vard Classics offer more broadg. more delightful reading than any

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A BLESSED COMPANION IS A BOOK

Appreciating the national popularity of reading clubs and circulating libraries, the Editor of the Bookshelf has compiled a list of the most prominent books, fiction and non-fiction, that have appeared in the last twelvemonth. This list has been selected from the suggestions of the nine librarian advisers of the Atlantic; it will be sent with our compliments to committees and members of reading clubs and other interested persons. Requests should be addressed to the Editor of the Bookshelf, Atlantic Monthly, 8 Arlington Street, Boston (17), Mass.

Swan Song, by John Galsworthy. New York: Charles Scribner's Sons. 1928. 12mo. 360 pp. $2.50.

'SOAMES FORSYTE is dead!' So readers will exI claim who have followed the fortunes of the Forsyte family from The Man of Property through In Chancery, To Let, The White Monkey, and The Silver Spoon, to reach their pathetic conclusion in this novel. And they will feel a kind of homesickness to think that no longer will they be able to trace new threads in the history of the ten children of 'superior Dossett' and of their children to the third generation: Old Jolyon and Young Jolyon, Irene, Holly, Val, Jon, Fleur, and the rest. Looked at in retrospect, the Forsyte saga is an astonishing accomplishment, probably unexcelled in scope, variety, and interest since the Comédie Humaine. Steadily and with almost unflagging genius, Mr. Galsworthy has unfolded the history of this hard-headed race, whose motto might have been 'Thatte I please I wylle,' like the writer of a symphony, developing his two themes of Property and Beauty or Freedom, in a thousand variations. The two themes are epitomized in the stories of Soames and Irene: poor Soames, whose tragedy, as the author once said, is the 'very simple, uncontrollable tragedy of being unlovable,' and Irene, who is a 'concretion of disturbing Beauty impinging on a possessive world.'

In Swan Song, Soames wins the reader's love at last, I think, even though Fleur, whom he worries over like a hen with one chick, cannot until the very end 'love him as he thinks he ought to be loved.' Remembering his own hopeless attempt to win the affection of his first wife, Irene, he beholds his daughter married to an estimable man, Michael, whom she has never loved, and desperately trying to recapture the love of Jon, now married, from whom she was separated in a former novel. Fleur is the same Fleur, though perhaps more pathetic, still exhibiting that 'lack of continuity' which the Chinese artist had expressed in the eyes of the White Monkey and which Soames considers to be the special disease of this age. She typifies a world at loose ends. But when Jon returns from America, she determines desperately to win the happiness which she

has lost seven years before. She fails because Jon has found other interests, but even in failure she is not sure of her own desires. Her father dies in saving her life, and by his deathbed she seems at last to understand him, though one cannot be sure. Fleur is, as her husband, Michael, says, 'a bird shot with both barrels,' and there seems to be no special reason why life should have treated her as it has done. Michael sums up the entire history at the end: 'An ironical world . . . queerly ironical, with shape melting into shape, mood into mood, sound into sound, and nothing fixed, unless it were . . . the instinct within all living things which said: "Go on!" Eternal Mood at work!... Moving on in the mysterious rhythm that one called Life. Who could arrest the moving Mood who wanted

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One cannot find words to express one's admiration for the firmness and beauty with which the story is told, and for the sustention of purpose which the author has displayed in planning and in carrying out his plan in the entire series. Swan Song is a fitting conclusion to the saga on a somewhat minor key, perhaps, but showing no falling off of power, humor, or poetry. It can be read with interest without the preceding novels, and is a fine novel without them; but for a full appreciation of it the reader should turn back for its roots. In the series, Mr. Galsworthy has said, an age is 'embalmed.' One prefers to say that in it an age lives.

R. M. GAY

Europe, by Count Hermann Keyserling. New York: Harcourt, Brace & Co. 1928. 8vo. 399 pp. $5.00.

THERE is an element of mischief in this book. It is the purposeful and ponderous mischief of a philosopher, but nevertheless obvious, and even confessed in the preface, where the author says that whosoever takes offence at one or another piece of banter is simply not playing the game.' That safeguarding clause is directly associated with the text from Romans iii. 23, 'For all have sinned, and come short of the glory of God,' which we are assured bespeaks the true soul of the book. Whether or not the Bible verse is part

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