A Study of VersificationHoughton Mifflin, 1911 - 7 psl. |
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4 psl.
... charm and his power . The more we know , the better we shall understand the real nature of poetic inspiration . " It is very natural , " so Reynolds declared in another of his " Discourses on Painting , " " for those who are ...
... charm and his power . The more we know , the better we shall understand the real nature of poetic inspiration . " It is very natural , " so Reynolds declared in another of his " Discourses on Painting , " " for those who are ...
7 psl.
... charm our ears with their music , even if they fail to appeal to our intellect . They live by melody , and almost by melody alone . And if this is a fact , surely it is well worth our while to seek for an understanding of the principles ...
... charm our ears with their music , even if they fail to appeal to our intellect . They live by melody , and almost by melody alone . And if this is a fact , surely it is well worth our while to seek for an understanding of the principles ...
29 psl.
... duckpond ? The very tropes and figures depend upon this charm of movement , like flashes of light thrown back by the hurrying waves . Yet we are so afraid of singsong , and even more afraid of the pathetic and sentimental , that RHYTHM 29.
... duckpond ? The very tropes and figures depend upon this charm of movement , like flashes of light thrown back by the hurrying waves . Yet we are so afraid of singsong , and even more afraid of the pathetic and sentimental , that RHYTHM 29.
49 psl.
... charm and alarm are rimes , charming and alarming , charmingly and alarmingly . There must be a distinct difference in the consonant sound that precedes ; cent and descent , meant and lament are not generally accepted in English as good ...
... charm and alarm are rimes , charming and alarming , charmingly and alarmingly . There must be a distinct difference in the consonant sound that precedes ; cent and descent , meant and lament are not generally accepted in English as good ...
89 psl.
... charm The weary time when thou ' rt away . Oh ! come ; the gentle moon hath thrown O'er bower and hall her quivering ray . The heatherbell hath mildly flung From off her fairy leaf the bright And diamond dewdrop that had hung Upon that ...
... charm The weary time when thou ' rt away . Oh ! come ; the gentle moon hath thrown O'er bower and hall her quivering ray . The heatherbell hath mildly flung From off her fairy leaf the bright And diamond dewdrop that had hung Upon that ...
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Pagrindiniai terminai ir frazės
accepted alliteration anapestic artist asserted attention Austin Dobson ballade beauty blank verse breath Browning Browning's Byron called charm chosen colliteration composed consonants curs'd dactylic declared double rimes Dryden effect employed English poetry English verse example feel final line fixed form foot four lines hearer heart heptameter heroic couplet hexameter iambic pentameter iambic tetrameter iambs iambus kiss language less long syllables Longfellow's Lowell lyric lyrist mate melody meter metrical metrist Milton Muse never o'er once pair of rimes passage pause play poem poet poet's poetic license Pope Pope's prose quatrain refrain repetition rhythm rhythmic rime-scheme rondeau rondel Rose Shakspere Shakspere's short syllable single rime sometimes song sonnet sound speech spondee stanza sweet Swinburne Swinburne's Tennyson thee theme Théodore de Banville thou thought tion trimeter triolet trochaic trochee true unrimed versification villanelle vowel vowel-sound wind words write
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242 psl. - To him who in the love of Nature holds Communion with her visible forms, she speaks A various language. For his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
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73 psl. - Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow : Not so, when swift Camilla scours the plain, Flies o'er the unbending corn, and skims along the main.
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