Puslapio vaizdai
PDF
„ePub“
[graphic]

longer, it is customary to join the club -if he can.

Some people have called Tuxedo a social half-way house to Newport. This is a great mistake. The social climber would, I think, make much better headway in Newport than in Tuxedo. Old Tuxedoites are very conservative. Unlike the Newporters (I am now speaking of the Newport so-called "smart set"), Tuxedo people are not living from excitement to excitement. The fact that some one can and will give marvelous entertainments does not interest them in the least. Newport loves to be entertained; Tuxedo does not care a bit. The men who go to Newport and Bar Harbor run up for a holiday, and are not only ready, but eager, to do things all day long. Tuxedo men are hard-working business men who take a 7:40 or an 8:15 train every morning of the week.

As for the sophistication of grown girls and young men: a visitor, driving the other day through the woods, found a horse and runabout belonging to an engaged girl

Drawn by Vernon Howe Bailey

[ocr errors][ocr errors][graphic][merged small][merged small][merged small][ocr errors]

IT

THE WOMEN OF THE CÆSARS

SIXTH PAPER: AGRIPPINA, THE MOTHER OF NERO

BY GUGLIELMO FERRERO

Author of "The Greatness and Decline of Rome," etc.

T is possible, as Tacitus says, that marriage with Claudius was the height of Agrippina's ambition, but it is also possible that it was an act of supreme selfsacrifice on the part of a woman who had been educated in the traditions of the Roman aristocracy, and who therefore considered herself merely a means to the political advancement of her relatives and her children.

I am rather inclined to accept this second explanation. When she married Claudius, Agrippina not only married an uncle who was much older than herself, and who must necessarily prove a rather difficult and disagreeable husband, but she bound up her fate with that of a weak emperor whose life was continually threatened by plots and revolts, and whose hesitations and terrors plainly portended that he would one day end by precipitating the imperial authority and government into some bizarre and terrible catastrophe. For Agrippina it meant that she was blindly staking her life and her honor, and that she would lose them both should she fail to compensate for the innumerable deficiencies of her strange husband through her own intelligence and strength of will. Every one will recognize how difficult was the task which she had undertaken.

But at the beginning fortune favored Agrippina as she boldly took up the work that lay before her. The wild pranks of Caligula and the scandals of Messalina had aroused an immeasurable disgust in Rome and Italy. Every one was out of patience. The senate as well as the people were demanding a stronger, more coherent, and respectable government, which

would end the scandals, suits, and atrocious personal and family quarrels which were dividing Rome. Agrippina was the daughter of Germanicus, the granddaughter of Drusus, and had in her veins the blood of the Claudii, with all their pride, their energy, their puritanical, conservative, and aristocratic spirit, and the moment she appeared, all hopes were centered in her. Although she was a sort of feminine Tiberius, and in the purity of her life resembled her mother and her great-grandmother Livia, Tacitus nevertheless maligns her for her relationships with Pallas and Seneca. The fact that Messalina, even with her implacable hatred, failed to bring about her downfall under the lex de adulteriis, proves the unreliability of these statements, and Tacitus proves it himself when he says that she suffered no departure from chastity unless it helped her power (Nihil domi impudicum nisi dominationi expediret). This means that Agrippina was a lady of irreproachable life; for if there is one thing which stands out clearly in the history of this remarkable woman, it is that both her rise and her fall depended upon causes of such a nature that not even her womanly charms could have increased her power or retarded her ruin. All hearts were therefore filled with hope when they saw this respectable, active, and energetic woman take her place at the side of Claudius the weakling, for she brought back the memory of the most venerated personages of the family of Augustus.

The new empress, encouraged by this show of favor, applied herself with all the strength of her impassioned nature to the

task of again making operative in the state. those traditional ideas of the nobility in which Livia had educated first Tiberius and Drusus, then Germanicus, and then Agrippina herself. In this descendant of hers the spirit of the great-grandmother finally reappeared, for it had been eclipsed by the fatal and terrible struggle between Tiberius and Agrippina, by the madness of Caligula, and the comic scandals of the first part of the reign of Claudius. All this served to bring back into the state a little of that authoritative vigor which the nobility in the time of its splendor had considered the highest ideal of government. Tacitus says of her rule that it was as rigid as if a man's (adductum et quasi virile). This signifies that under the influence of Agrippina' the laxity and disorder of the first years of Claudius's reign gave place to a certain order and discipline. Severity there was, and more often haughtiness (palam severitas ac saepius superbia). The freedmen who had formerly been so powerful and aggressive, now stepped aside, which is an evident sign that their petulance had now found a check in the energy of Agrippina. The state finances and the fortune of the imperial house were reorganized, for Agrippina, like Livia and like all the ladies of the great Roman nobility, was an excellent administrator, frugal, and ever watchful of her slaves and freedmen, and careful of all items of income and expense. The Roman aristocracy, like all other aristocracies, hated the parvenus, the men of sudden riches, traffickers who had too quickly become wealthy, and all persons whose only aim was to amass money. We know that Agrippina sought to prevent as far as possible the malversations of public funds by which the powerful freedmen of Claudius had been enriching themselves. After she became empress we hear accounts of numerous suits instituted against personages who had been guilty of wasting public treasure, while under Messalina no such cases were brought forward. We know, furthermore, that she reëstablished the fortune of the imperial family, which in all probability had been seriously compromised by the reckless expenditures of Messalina. This is what Tacitus refers to in one of his sentences, which, as usual, is colored by his malignity: Cupido auri immensa obtentum habebat quasi subsid

ium regno pararetur (She sought to enrich the family under the pretext of providing for the needs of the empire). What Tacitus calls a "pretext" was, on the contrary, the ancient aristocratic conception of wealth, which in the eyes of the great families was destined to be a means of government and an instrument of power: the family possessed it in order to use it for the benefit of the state.

In short, Agrippina attempted to revive the aristocratic traditions of government which had inspired the policies of Augustus and Tiberius. Not only did she attempt to do this, but, strange as it may seem, she succeeded almost without a struggle. The government of Agrippina was from the first a great success. From the moment when she became empress there is discernible in the entire administration, a greater firmness and consistency of policy. Claudius no longer seems, as formerly, to be at the mercy of his freedmen and the fleeting impulses of the moment, and even the dark shadows of the time are lighted up for some years. A certain concord and tranquillity returned to the imperial house, to the aristocracy, to the senate, and to the state. Although Tacitus accuses Agrippina of having made Claudius commit all sorts of cruelties, it is certain that trials, scandals, and suicide became much less frequent under her rule. During the six years that Claudius lived after his marriage with Agrippina, scandalous tragedies became so rare that Tacitus, being deprived of his favorite materials, set down the story of these six years in a single book. In other words, Agrippina encountered virtually no opposition, while Tiberius and even Augustus, when they wished to govern according to the traditions of the ancient nobility, had to combat the party of the new aristocracy, with its modern and Oriental tendencies. This party no longer seemed to exist when Agrippina urged Claudius to continue resolutely in the policy of his ancestors, for one party only, that of the old nobility, seemed with Agrippina to control the state. This must have been the result partly of the disgust for the scandals of the previous decade, which had made every one realize the need of restoring more serious discipline in the government, and partly of the exhaustion which had come upon both parties as the result of so many struggles, re

[merged small][merged small][graphic][merged small]

the aristocracy and the senate became gradually weaker.

In any case, the empire was no longer to have forced upon it the ridiculous and scandalous spectacle of such weaknesses and incongruities as had seriously compromised the prestige of the highest authority in the first period of the reign of Claudius. But Agrippina was not content with merely making provision as best she could for the present; she also looked forward to the future. She had had a son by her

successor of Claudius, thereby excluding Britannicus, the son of Messalina, from the throne. To obtain this end, she spared, so he says, neither intrigues, fraud, nor deceit; she had Seneca recalled from exile and appointed tutor of her child. She removed from office the two commanders of the pretorian guard, who were creatures of Messalina, and in their stead she had elected one of her own, a certain Afranius Burrhus. She laid pitfalls for Britannicus and surrounded him with spies, and in the

« AnkstesnisTęsti »