Puslapio vaizdai
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It is for no other reason than that flowers have in themselves a real and natural significance. They have a positive relation to man, his sentiments, passions, and feelings. They correspond to actual emotions. They have their mission—a mission of love and mercy. They have their language, and from the remotest ages this language has found its interpreters.

In the East the language of flowers has been universally understood and applied "time out of mind." Its meaning finds a place in their poetry and in all their literature, and it is familiarly known among the people. In Europe it has existed and been recognised for long ages among the people, although scarcely noticed by the literati until a comparatively recent period. Shakspeare, however, whom nothing escaped which was known to the people, exhibits his intimate acquaintance with the language of flowers in his masterly delineation of the madness of Ophelia.

Recent writers in all languages recognise the beauty and propriety of this language to such an extent, that an acquaintance with it has now become indispensable as a part of a polished education.

Our little volume is devoted to the explanation of this beautiful language. We have made it as complete as our materials and limits would permit. We present it to our readers in the humble hope that we shall increase the means of elegant and innocent enjoyment by our "Floral Offering."

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Coxcomb, (Singularity).

Cranberry, (Cure for the heartache)...

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