Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... those of the latter . A feeling pleasant or painful cannot exist but in the mind ; and yet because in tafting , touching , and fmelling , we are conscious of the impreffion made upon the organ , we natu- rally place there alfo , the ...
... those of the latter . A feeling pleasant or painful cannot exist but in the mind ; and yet because in tafting , touching , and fmelling , we are conscious of the impreffion made upon the organ , we natu- rally place there alfo , the ...
2 psl.
... those of dignity and ele- vation . Being fweet and moderately exhilerating , they are in their tone equally distant from the tur- bulence of paffion , and languor of inaction ; and by that tone are perfectly well qualified , not only to ...
... those of dignity and ele- vation . Being fweet and moderately exhilerating , they are in their tone equally distant from the tur- bulence of paffion , and languor of inaction ; and by that tone are perfectly well qualified , not only to ...
3 psl.
... those refined and fublime pleafures which are fuited to its maturity . This fucceffion , however , is not governed by unavoidable neceffity . The God of nature offers it to us , in order to advance our happiness ; and it is fufficient ...
... those refined and fublime pleafures which are fuited to its maturity . This fucceffion , however , is not governed by unavoidable neceffity . The God of nature offers it to us , in order to advance our happiness ; and it is fufficient ...
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... Those who apply to the arts , are trained in a very different manner . They are led , step by step , from the easier parts of the operation , to what are more difficult ; and are not permitted to make a new motion , till they be ...
... Those who apply to the arts , are trained in a very different manner . They are led , step by step , from the easier parts of the operation , to what are more difficult ; and are not permitted to make a new motion , till they be ...
18 psl.
... those which are more general . Why this difference in matters that appear fo nearly re- lated ? The cafes are fimilar in appearance only , not not in reality . In a hiftorical chain , every 18 PERCEPTIONS AND IDEAS Ch . I.
... those which are more general . Why this difference in matters that appear fo nearly re- lated ? The cafes are fimilar in appearance only , not not in reality . In a hiftorical chain , every 18 PERCEPTIONS AND IDEAS Ch . I.
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety