Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... resemble the latter , being like them . produced by external objects ; but they also re- femble the former , being like them produced with- out any fenfible organic impreffion . Their mixt nature and middle place betwixt organic and in ...
... resemble the latter , being like them . produced by external objects ; but they also re- femble the former , being like them produced with- out any fenfible organic impreffion . Their mixt nature and middle place betwixt organic and in ...
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... resemblance and the greater or lefs connection of their caufes . The beauty of a landfcape and the finging of birds , produce emotions that are fimilar in a confiderable degree ; and these emoti- ons therefore , though proceeding from ...
... resemblance and the greater or lefs connection of their caufes . The beauty of a landfcape and the finging of birds , produce emotions that are fimilar in a confiderable degree ; and these emoti- ons therefore , though proceeding from ...
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... resemblance of the emotions and partly on the connection of their causes ; whence it follows , that the effect must be the greatest , where the caufes are intimately connected and the emotions perfectly fimilar . The other pleasure ...
... resemblance of the emotions and partly on the connection of their causes ; whence it follows , that the effect must be the greatest , where the caufes are intimately connected and the emotions perfectly fimilar . The other pleasure ...
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... resemblance cannot be too ftrong , nor the connection too flight . Where the caufes are intimately connected , the fimilar emotions they produce are felt like one com- plex emotion . But the pleasure of harmony , is not felt from one ...
... resemblance cannot be too ftrong , nor the connection too flight . Where the caufes are intimately connected , the fimilar emotions they produce are felt like one com- plex emotion . But the pleasure of harmony , is not felt from one ...
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... resemblance of a cone . A fmall furface ought to be smooth ; but in a wide extended plain , confiderable inequalities are overlooked . This ob- fervation holds equally in works of art . The flighteft irregularity in a houfe of a ...
... resemblance of a cone . A fmall furface ought to be smooth ; but in a wide extended plain , confiderable inequalities are overlooked . This ob- fervation holds equally in works of art . The flighteft irregularity in a houfe of a ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety