Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... painful cannot exist but in the mind ; and yet because in tafting , touching , and fmelling , we are conscious of the impreffion made upon the organ , we natu- rally place there alfo , the pleasant or painful feel- ing caused by that ...
... painful cannot exist but in the mind ; and yet because in tafting , touching , and fmelling , we are conscious of the impreffion made upon the organ , we natu- rally place there alfo , the pleasant or painful feel- ing caused by that ...
2 psl.
... painful by overstraining the mind . Ceffation from fuch exercife gives not inftant relief : it is neceffary that the void be filled with fome amufement , gently relaxing 1 relaxing the fpirits * . Organic pleasure , which 2 INTRODUCTION ...
... painful by overstraining the mind . Ceffation from fuch exercife gives not inftant relief : it is neceffary that the void be filled with fome amufement , gently relaxing 1 relaxing the fpirits * . Organic pleasure , which 2 INTRODUCTION ...
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... pain . In a word , there may be other paffions , which , for a feafon , difturb the peace of fociety more than pride but no other paffion is fo unwearied an an- tagonist to the fweets of focial intercourfe . Pride , tending affiduoufly ...
... pain . In a word , there may be other paffions , which , for a feafon , difturb the peace of fociety more than pride but no other paffion is fo unwearied an an- tagonist to the fweets of focial intercourfe . Pride , tending affiduoufly ...
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... pain and pleasure , and of course our sympathy , which is the capital branch of every social paffion . Sympathy in particular invites a communication of joys and forrows , hopes and fears . Such exercife , foothing and fatisfactory in ...
... pain and pleasure , and of course our sympathy , which is the capital branch of every social paffion . Sympathy in particular invites a communication of joys and forrows , hopes and fears . Such exercife , foothing and fatisfactory in ...
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... all along he had it in view , to explain the nature of man , confidered as a fenfitive being , capable of pleasure and pain . And though he flatters Hatters himself with having made fome progress in that important 10 INTRODUCTION .
... all along he had it in view , to explain the nature of man , confidered as a fenfitive being , capable of pleasure and pain . And though he flatters Hatters himself with having made fome progress in that important 10 INTRODUCTION .
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety