Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Rezultatai 1–5 iš 100
vii psl.
... passions , 317 Ch . 16. Sentiments , I 336 Ch . 17. Language of passion , .. I 371 Ch . 18. Beauty of language , 2 3 Ch . 19. Comparisons , 2 19 Ch . 20. Figures , Ch . 21. Narration and defcription , Ch . 22. Epic and dramatic ...
... passions , 317 Ch . 16. Sentiments , I 336 Ch . 17. Language of passion , .. I 371 Ch . 18. Beauty of language , 2 3 Ch . 19. Comparisons , 2 19 Ch . 20. Figures , Ch . 21. Narration and defcription , Ch . 22. Epic and dramatic ...
25 psl.
... passions . It is alfo ob- ferved above t , that the principles of the fine arts are unfolded by studying the fenfitive part of hu- man nature , in order to know what objects of the eye and ear are agreeable , what difagreeable . Thefe ...
... passions . It is alfo ob- ferved above t , that the principles of the fine arts are unfolded by studying the fenfitive part of hu- man nature , in order to know what objects of the eye and ear are agreeable , what difagreeable . Thefe ...
26 psl.
... - ed . But the variety of nature is not so easily reached ; and for confuting fuch Utopian fyftems without the intricacy of reafoning , it appears the beft best method to enter into human nature , and to 26 Ch . II . EMOTIONS AND PASSIONS .
... - ed . But the variety of nature is not so easily reached ; and for confuting fuch Utopian fyftems without the intricacy of reafoning , it appears the beft best method to enter into human nature , and to 26 Ch . II . EMOTIONS AND PASSIONS .
27 psl.
... simple propofition , That we love what is pleafant , and hate what is painful . And indeed it is evident , that without antecedent emoti- C 2 ons ons we could not have any paffions ; for a Part . I. 27 EMOTIONS AND PASSIONS .
... simple propofition , That we love what is pleafant , and hate what is painful . And indeed it is evident , that without antecedent emoti- C 2 ons ons we could not have any paffions ; for a Part . I. 27 EMOTIONS AND PASSIONS .
30 psl.
... appears , that the beauty of fuch an object is complex , refolvable into several beauties more fimple . former , is proportionably fainter than that pro- duced by 30 Ch . II . EMOTIONS AND PASSIONS . Emotions and passions, Beauty,
... appears , that the beauty of fuch an object is complex , refolvable into several beauties more fimple . former , is proportionably fainter than that pro- duced by 30 Ch . II . EMOTIONS AND PASSIONS . Emotions and passions, Beauty,
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety