Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... opposite course in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other . The analytic method is more agreeable to the ima- gination . The other method will be preferred by thofe only ...
... opposite course in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other . The analytic method is more agreeable to the ima- gination . The other method will be preferred by thofe only ...
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... opposite . Similar emotions produced by the fenfe and found go natu- rally into union ; and at the fame time are felt to be concordant or harmonious . Diffimilar emotions , on the other hand , forced into union by caufes in- timately ...
... opposite . Similar emotions produced by the fenfe and found go natu- rally into union ; and at the fame time are felt to be concordant or harmonious . Diffimilar emotions , on the other hand , forced into union by caufes in- timately ...
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... opposite views , are fo flight and wavering , as readily to be fufceptible of a bias from paffion and prejudice . This fubject is of great use in logic ; and of still greater ufe in criticifm , being intimately connected with many ...
... opposite views , are fo flight and wavering , as readily to be fufceptible of a bias from paffion and prejudice . This fubject is of great use in logic ; and of still greater ufe in criticifm , being intimately connected with many ...
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... opposite means . But when thefe acts are connected by their relation to the fame fubject , their connection leads us to imagine a fort of refemblance Betwixt them , which the foregoing principle makes us conceive to be as com- plete as ...
... opposite means . But when thefe acts are connected by their relation to the fame fubject , their connection leads us to imagine a fort of refemblance Betwixt them , which the foregoing principle makes us conceive to be as com- plete as ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety