Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... operation , to what are more difficult ; and are not permitted to make a new motion , till they be perfected in thofe which regularly precede it . The fcience of criticism appears then to be an intermediate link , finely qualified for ...
... operation , to what are more difficult ; and are not permitted to make a new motion , till they be perfected in thofe which regularly precede it . The fcience of criticism appears then to be an intermediate link , finely qualified for ...
18 psl.
... operations ; for it always coincides with the order of nature . Thinking upon a body in motion , we follow its natural courfe . The mind falls with a heavy body , defcends with a river , and afcends with flame and fmoke . In tracing out ...
... operations ; for it always coincides with the order of nature . Thinking upon a body in motion , we follow its natural courfe . The mind falls with a heavy body , defcends with a river , and afcends with flame and fmoke . In tracing out ...
54 psl.
... operation of the mind by which a paffion is extended to a re- lated object . In confidering two things as related , the mind is not stationary , but paffeth and repaf- feth from the one to the other , viewing the relation from each of ...
... operation of the mind by which a paffion is extended to a re- lated object . In confidering two things as related , the mind is not stationary , but paffeth and repaf- feth from the one to the other , viewing the relation from each of ...
58 psl.
... operations of deliberative reafon would be too late . We take nourishment commonly , not by the direction of reafon , but by the incitement of hunger and thirft . In the fame manner , we avoid danger by the incitement of fear , which ...
... operations of deliberative reafon would be too late . We take nourishment commonly , not by the direction of reafon , but by the incitement of hunger and thirft . In the fame manner , we avoid danger by the incitement of fear , which ...
60 psl.
... operation of the human mind , is by Shakespear exhibited upon another occafion , and finely painted . In the tra- gedy of Othello , Iago , by dark hints and fufpicious circumstances , had roufed Othello's jealoufy ; which , however ...
... operation of the human mind , is by Shakespear exhibited upon another occafion , and finely painted . In the tra- gedy of Othello , Iago , by dark hints and fufpicious circumstances , had roufed Othello's jealoufy ; which , however ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety