Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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13 psl.
... object is it that we are to call up ? If this question can be answered , the object is already in the mind , and there is no occafi- on to exert the power . If the question cannot be an- fwered , I next demand , how it is poffible that ...
... object is it that we are to call up ? If this question can be answered , the object is already in the mind , and there is no occafi- on to exert the power . If the question cannot be an- fwered , I next demand , how it is poffible that ...
20 psl.
... objects , where we require a certain order , the pleasure arifes chiefly from an orderly arrangement . Of this one may ... object delightful . I am extremely fenfible of the disguft men ge- nerally have at abftract fpeculation ; and for ...
... objects , where we require a certain order , the pleasure arifes chiefly from an orderly arrangement . Of this one may ... object delightful . I am extremely fenfible of the disguft men ge- nerally have at abftract fpeculation ; and for ...
24 psl.
... objects ought to be carefully ftudied , in order to make the deep- er impreffion . For it is a known fact , the reason ... object in its real and natural appearance . A relation fo flight can never be relished . Diftruft in lovers is too ...
... objects ought to be carefully ftudied , in order to make the deep- er impreffion . For it is a known fact , the reason ... object in its real and natural appearance . A relation fo flight can never be relished . Diftruft in lovers is too ...
28 psl.
... objects of fight that raise pleasant emotions . A barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of the emotions thus produced , we inquire for no other caufe but merely the prefence of the object . It must ...
... objects of fight that raise pleasant emotions . A barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of the emotions thus produced , we inquire for no other caufe but merely the prefence of the object . It must ...
30 psl.
... object recalled to the mind in idea , is the occafion of a pleasant or pain- ful emotion , of the fame kind with that produced when the object was prefent . The only difference is , that an idea being fainter than an original per ...
... object recalled to the mind in idea , is the occafion of a pleasant or pain- ful emotion , of the fame kind with that produced when the object was prefent . The only difference is , that an idea being fainter than an original per ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety