Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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viii psl.
... must be pronounced as in the word intereft , and other words beginning with the fyllable in ; the letter e as in perfuafion ; and the letter u as in number . ovi a ni zobi bun ani ERRA T U M. CP Vol . II . P. 114.4 18. for 101 , 102 ...
... must be pronounced as in the word intereft , and other words beginning with the fyllable in ; the letter e as in perfuafion ; and the letter u as in number . ovi a ni zobi bun ani ERRA T U M. CP Vol . II . P. 114.4 18. for 101 , 102 ...
5 psl.
... must clearly perceive what objects are lofty , what low , what are proper or improper , what are manly , and what are mean or trivial . Hence a foundation for judging of taste , and for reasoning upon it . Where it is conformable to ...
... must clearly perceive what objects are lofty , what low , what are proper or improper , what are manly , and what are mean or trivial . Hence a foundation for judging of taste , and for reasoning upon it . Where it is conformable to ...
9 psl.
... must ex- cept criticism , which , by what fatality I know not , continues to be not lefs flavifh in its princi-- ples , nor lefs fubmiffive to authority , than it was originally .. Boffu , a celebrated French critic , gives many rules ...
... must ex- cept criticism , which , by what fatality I know not , continues to be not lefs flavifh in its princi-- ples , nor lefs fubmiffive to authority , than it was originally .. Boffu , a celebrated French critic , gives many rules ...
17 psl.
... a preference , order cannot be applied ; and it must be indifferent in what manner they be fur- veyed ; witness the fheep that make a flock , or the trees trees in a wood . But in things of unequal Ch . I. 17 IN A TRAIN .
... a preference , order cannot be applied ; and it must be indifferent in what manner they be fur- veyed ; witness the fheep that make a flock , or the trees trees in a wood . But in things of unequal Ch . I. 17 IN A TRAIN .
25 psl.
... must be acquainted with the nature and caufes of emotions and paffions , be- fore we can judge with any accuracy , how far they are under the power of the fine arts . The critical art is thus fet in a fine point of view . The inqui ...
... must be acquainted with the nature and caufes of emotions and paffions , be- fore we can judge with any accuracy , how far they are under the power of the fine arts . The critical art is thus fet in a fine point of view . The inqui ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety