Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... ings employed upon the fine arts are of the fame kind with those which regulate our conduct . Ma- thematical and metaphyfical reafonings have no tendency tendency to improve focial intercourse : nor are they applicable 6 INTRODUCTION .
... ings employed upon the fine arts are of the fame kind with those which regulate our conduct . Ma- thematical and metaphyfical reafonings have no tendency tendency to improve focial intercourse : nor are they applicable 6 INTRODUCTION .
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... kind , readily occur to that perfon only who makes every relation equally wel- come . Wit , upon that account , is , in a good meafure , incompatible with folid judgement ; which , neglecting trivial relations , adheres to what are ...
... kind , readily occur to that perfon only who makes every relation equally wel- come . Wit , upon that account , is , in a good meafure , incompatible with folid judgement ; which , neglecting trivial relations , adheres to what are ...
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In Three Volumes. ... Lord Henry Home Kames. kind , is relished . This however ought not to be imitated in defcription . Words are so far fhort of the eye in liveliness of impreffion , that in a de- fcription the connection of objects ...
In Three Volumes. ... Lord Henry Home Kames. kind , is relished . This however ought not to be imitated in defcription . Words are so far fhort of the eye in liveliness of impreffion , that in a de- fcription the connection of objects ...
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... kind . Hu- man actions are perceived to be right or wrong ; and this perception qualifies the pleasure or pain that refults from them * . C 3 Not * In tracing our emotions and paffions to their origin , it once was my opinion , that ...
... kind . Hu- man actions are perceived to be right or wrong ; and this perception qualifies the pleasure or pain that refults from them * . C 3 Not * In tracing our emotions and paffions to their origin , it once was my opinion , that ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety