Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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... character , and beha- viour . To the man who has acquired a taste fo acute and accomplished , every action , wrong or improper , must be highly difguftful . If , in any inftance , the overbearing power of paffion fway him from his duty ...
... character , and beha- viour . To the man who has acquired a taste fo acute and accomplished , every action , wrong or improper , must be highly difguftful . If , in any inftance , the overbearing power of paffion fway him from his duty ...
43 psl.
... character , which difpofeth him to great and no- ble actions . And herein principally confifts the extreme delight every one hath in the hiftories of conquerors and heroes . This fingular feeling , which may be termed the fympathetic ...
... character , which difpofeth him to great and no- ble actions . And herein principally confifts the extreme delight every one hath in the hiftories of conquerors and heroes . This fingular feeling , which may be termed the fympathetic ...
82 psl.
... character , not only in the direct feeling , but alfo when we make them the fubject of reflection . The focial paffions are by far more agreeable than the selfish , and rife much higher in our esteem . See the introduction . Refined ...
... character , not only in the direct feeling , but alfo when we make them the fubject of reflection . The focial paffions are by far more agreeable than the selfish , and rife much higher in our esteem . See the introduction . Refined ...
107 psl.
... character is done to reconcile the two oppofite paffions . He is re- folved to put her to death , but he will not shed her blood , nor fo much as ruffle her fkin . Othello . It is the caufe , it is the cause , my foul ; Let me not name ...
... character is done to reconcile the two oppofite paffions . He is re- folved to put her to death , but he will not shed her blood , nor fo much as ruffle her fkin . Othello . It is the caufe , it is the cause , my foul ; Let me not name ...
146 psl.
... character of sweetness and gaiety . A Confidering attentively the beauty of visible ob- jects , we discover two kinds . One may be termed intrinfic beauty , because it is discovered in a single object viewed apart , without relation to ...
... character of sweetness and gaiety . A Confidering attentively the beauty of visible ob- jects , we discover two kinds . One may be termed intrinfic beauty , because it is discovered in a single object viewed apart , without relation to ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety