Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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5 psl.
... agreeable , and what are natu- rally difagreeable . The man who afpires to be a critic in thefe arts , muft pierce ftill deeper . He must clearly perceive what objects are lofty , what low , what are proper or improper , what are manly ...
... agreeable , and what are natu- rally difagreeable . The man who afpires to be a critic in thefe arts , muft pierce ftill deeper . He must clearly perceive what objects are lofty , what low , what are proper or improper , what are manly ...
10 psl.
... agreeable impreffions ; and by that cir- cumftance , are diftinguished from the ufeful arts . In order then to be a critic in the fine arts , it is neceffary , as above hinted , to know what objects are naturally agreeable , and what na ...
... agreeable impreffions ; and by that cir- cumftance , are diftinguished from the ufeful arts . In order then to be a critic in the fine arts , it is neceffary , as above hinted , to know what objects are naturally agreeable , and what na ...
19 psl.
... agreeable to the strictness of order . But in following the opposite course in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other . The analytic method is more agreeable to the ima ...
... agreeable to the strictness of order . But in following the opposite course in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other . The analytic method is more agreeable to the ima ...
22 psl.
... agreeable . It commences with an im- portant question , How it happens that perfons who are fo much fatisfied with themfelves , are gene- rally fo little with their condition ? After illuftra- ting the observation in a sprightly manner ...
... agreeable . It commences with an im- portant question , How it happens that perfons who are fo much fatisfied with themfelves , are gene- rally fo little with their condition ? After illuftra- ting the observation in a sprightly manner ...
25 psl.
... agreeable , what difagreeable . Thefe obfervations how the ufe of the prefent chapter . We evidently must be acquainted with the nature and caufes of emotions and paffions , be- fore we can judge with any accuracy , how far they are ...
... agreeable , what difagreeable . Thefe obfervations how the ufe of the prefent chapter . We evidently must be acquainted with the nature and caufes of emotions and paffions , be- fore we can judge with any accuracy , how far they are ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety