Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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21 psl.
... , that while we guard against fome dangers , we are exposed to others we cannot foresee . He ends with difplaying the power of mufic . ' The parts * * Lib . 2. ode 13 . a parts of ode 16. lib . 2. are fo loosely Ch . I. 21 IN A TRAIN .
... , that while we guard against fome dangers , we are exposed to others we cannot foresee . He ends with difplaying the power of mufic . ' The parts * * Lib . 2. ode 13 . a parts of ode 16. lib . 2. are fo loosely Ch . I. 21 IN A TRAIN .
22 psl.
... against avarice , which he pursues till the line 108. There he makes an apology for wandering , and promises to return to his fubject . But avarice having got poffeflion of his mind , he follows out that theme to the end , and never ...
... against avarice , which he pursues till the line 108. There he makes an apology for wandering , and promises to return to his fubject . But avarice having got poffeflion of his mind , he follows out that theme to the end , and never ...
23 psl.
... against that elaborate description of Fame in the Æneid . Any other book of that heroic poem , or of any heroic poem , has as good a title to that description as the book where it is placed . In a natural landscape , we every day ...
... against that elaborate description of Fame in the Æneid . Any other book of that heroic poem , or of any heroic poem , has as good a title to that description as the book where it is placed . In a natural landscape , we every day ...
27 psl.
... against a man , it must be for fome injury he has done me , and I cannot pity any one , who is un- der no distress of body or of mind . The circumstances now mentioned , if they cause or occafion a paflion , cannot be entirely indiffe ...
... against a man , it must be for fome injury he has done me , and I cannot pity any one , who is un- der no distress of body or of mind . The circumstances now mentioned , if they cause or occafion a paflion , cannot be entirely indiffe ...
51 psl.
... against the author of the diftrefs . For , in general , the affection we have for any man , generates in us good - will to his friends and ill - will to his enemies . Shakespear fhows great art in the funeral oration pronounced by ...
... against the author of the diftrefs . For , in general , the affection we have for any man , generates in us good - will to his friends and ill - will to his enemies . Shakespear fhows great art in the funeral oration pronounced by ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety