A Study of VersificationHoughton Mifflin, 1911 - 275 psl. |
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19 psl.
... tune , so to speak . The ear not only permits variation of feet inside the frame- work of beats , it is even delighted when this is so adroitly done as to evade the monotony of strict regu- larity . For example , the ear authorizes the ...
... tune , so to speak . The ear not only permits variation of feet inside the frame- work of beats , it is even delighted when this is so adroitly done as to evade the monotony of strict regu- larity . For example , the ear authorizes the ...
20 psl.
... tune securely in spite of this omission . One of the most familiar of nursery - rimes begins Hark ! Hark ! The dogs do bark The beggars are come to town . The second and the third lines reveal to us that 20 A STUDY OF VERSIFICATION.
... tune securely in spite of this omission . One of the most familiar of nursery - rimes begins Hark ! Hark ! The dogs do bark The beggars are come to town . The second and the third lines reveal to us that 20 A STUDY OF VERSIFICATION.
21 psl.
... tune . The four lines might be represented in this way : - [ _ [ ~ ] | - ~ | - [ ~ ] [ ~ - ~ - ~ - ~ - - [ ~ ] | [ ~ ] | - [ ~ ] - : Perhaps the omissions can be made more evident by noting the omissions in the lines themselves : Pease ...
... tune . The four lines might be represented in this way : - [ _ [ ~ ] | - ~ | - [ ~ ] [ ~ - ~ - ~ - ~ - - [ ~ ] | [ ~ ] | - [ ~ ] - : Perhaps the omissions can be made more evident by noting the omissions in the lines themselves : Pease ...
22 psl.
... tune , even if the silences , the pauses , the rests , are frequent . The line is still divided into a series of equal periods ; and it is this series of equal periods that the ear expects and demands . The eye may be puzzled ; but the ...
... tune , even if the silences , the pauses , the rests , are frequent . The line is still divided into a series of equal periods ; and it is this series of equal periods that the ear expects and demands . The eye may be puzzled ; but the ...
23 psl.
... Tunes " called " Marching Along , " Browning got a series of vigorous effects by the repeated use of this device of substituting rests for actual syllables : - Kentish Sir Byng stood for his King , Bidding the crop - headed Parliament ...
... Tunes " called " Marching Along , " Browning got a series of vigorous effects by the repeated use of this device of substituting rests for actual syllables : - Kentish Sir Byng stood for his King , Bidding the crop - headed Parliament ...
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accepted alliteration anapestic artist asserted attention Austin Dobson ballade beauty blank verse breath Browning Browning's Byron's called charm chosen colliteration composed consonants dactylic declared delight double rimes Dryden effect employed English poetry English verse example feel final line fixed form foot four lines hearer heart heptameter heroic couplet hexameter iambic pentameter iambs iambus kiss language less light long syllables Longfellow's Lowell lyric lyrist mate melody meter metrical metrist Milton never nursery-rimes o'er once pair of rimes passage pause play poem poet poet's poetic license Pope prose quatrain refrain repetition rhythm rhythmic rime-scheme rondeau Rose Shakspere Shakspere's short syllable single rime sometimes song sonnet sound speech spondee stanza substitution sweet Swinburne technic Tennyson thee theme Théodore de Banville thou thought tion trimeter triolet trochaic trochee true tune UNIVERS UNIVERSITY OF CALIFORNIA unrimed versification villanelle vowel vowel-sound wind words write