A Study of VersificationHoughton Mifflin, 1911 - 275 psl. |
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29 psl.
... accepted rhythm he forces us suddenly to consider his instrument , and our in- terest is thereby at once distracted from his meaning . Therefore , it is safer for the poet to vary his lines very cautiously and to keep in mind always the ...
... accepted rhythm he forces us suddenly to consider his instrument , and our in- terest is thereby at once distracted from his meaning . Therefore , it is safer for the poet to vary his lines very cautiously and to keep in mind always the ...
49 psl.
... accepted in English as good rimes . Although it would not be difficult to cite from distinguished poets examples of the effort to pass off as rimes pairs of words in which there is no change in the consonant preceding the vowel of the ...
... accepted in English as good rimes . Although it would not be difficult to cite from distinguished poets examples of the effort to pass off as rimes pairs of words in which there is no change in the consonant preceding the vowel of the ...
53 psl.
... accepted by con- !! vention . These are pairs of words like ever and river , L shadow and meadow , heaven and even , love and prove . Of course , they are not really rimes at all ; and yet unless some such pairing is allowed , ever and ...
... accepted by con- !! vention . These are pairs of words like ever and river , L shadow and meadow , heaven and even , love and prove . Of course , they are not really rimes at all ; and yet unless some such pairing is allowed , ever and ...
68 psl.
... accepted willingly in a comic poem . Probably we should not be moved to protest if we found it in a lilting lyric of humorous intent like that in which Eugene Field pretended to tell the " Truth about Horace " and in which we find this ...
... accepted willingly in a comic poem . Probably we should not be moved to protest if we found it in a lilting lyric of humorous intent like that in which Eugene Field pretended to tell the " Truth about Horace " and in which we find this ...
81 psl.
... accepted by Wagner as preferable to rime for lyrics intended to be set to music . Wagner held that " rime is useless in music because it implies identity not only of vowel- sounds but also of the succeeding consonants , " which are lost ...
... accepted by Wagner as preferable to rime for lyrics intended to be set to music . Wagner held that " rime is useless in music because it implies identity not only of vowel- sounds but also of the succeeding consonants , " which are lost ...
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accepted alliteration anapestic artist asserted attention Austin Dobson ballade beauty blank verse breath Browning Browning's Byron's called charm chosen colliteration composed consonants dactylic declared delight double rimes Dryden effect employed English poetry English verse example feel final line fixed form foot four lines hearer heart heptameter heroic couplet hexameter iambic pentameter iambs iambus kiss language less light long syllables Longfellow's Lowell lyric lyrist mate melody meter metrical metrist Milton never nursery-rimes o'er once pair of rimes passage pause play poem poet poet's poetic license Pope prose quatrain refrain repetition rhythm rhythmic rime-scheme rondeau Rose Shakspere Shakspere's short syllable single rime sometimes song sonnet sound speech spondee stanza substitution sweet Swinburne technic Tennyson thee theme Théodore de Banville thou thought tion trimeter triolet trochaic trochee true tune UNIVERS UNIVERSITY OF CALIFORNIA unrimed versification villanelle vowel vowel-sound wind words write