Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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... reafon is , that though two founds rea- dily unite , yet where they differ in tone , both of them must be heard if neither of them be fuppreff- ed . For the fame reafon , every fyllable muft be compofed of as many founds as there are ...
... reafon is , that though two founds rea- dily unite , yet where they differ in tone , both of them must be heard if neither of them be fuppreff- ed . For the fame reafon , every fyllable muft be compofed of as many founds as there are ...
15 psl.
... feel when the differences are fmall . Beginning at the smallest object of a series afcending by large See the reafon , chap . 8 . differ- differences , this object has the fame effect upon the Sect . I. BEAUTY OF LANGUAGE . 15.
... feel when the differences are fmall . Beginning at the smallest object of a series afcending by large See the reafon , chap . 8 . differ- differences , this object has the fame effect upon the Sect . I. BEAUTY OF LANGUAGE . 15.
29 psl.
... reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This laft , termed verbal antithefis , is ftudied by low writers , because of a certain degree of live- linefs in it . They do not ...
... reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This laft , termed verbal antithefis , is ftudied by low writers , because of a certain degree of live- linefs in it . They do not ...
44 psl.
... reafon is , that a leifurely furvey , which is expreffed by the copulatives , makes the parts ap- pear more numerous than they would do by run- ning them over with celerity : in the latter cafe the army appears like one whole , and as ...
... reafon is , that a leifurely furvey , which is expreffed by the copulatives , makes the parts ap- pear more numerous than they would do by run- ning them over with celerity : in the latter cafe the army appears like one whole , and as ...
51 psl.
... cannot without greater violence be feparated from the fubject that follows : and for that reafon , every fuch fe- paration D 2 paration by means of an interjected circumftance belongs to an Sect.II. BEAUTY OF LANGUAGE . 51.
... cannot without greater violence be feparated from the fubject that follows : and for that reafon , every fuch fe- paration D 2 paration by means of an interjected circumftance belongs to an Sect.II. BEAUTY OF LANGUAGE . 51.
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abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
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