Puslapio vaizdai
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I heard much of the abuses there, of the hateful actions of many of the employers; but one loses sight of these things in contemplating the great general benefit of this astounding place. Of course I, in the offices, saw perhaps only the better and cleaner side of the yards, and therefore I cannot tell what went on elsewhere.

"A position as stenographer," I answered promptly.

He straightened up in his seat at that, and took a look at me. His cheek-bones were high and lumpy; he had a rather pasty-colored skin, sharp-glancing eyes, and a humorous mouth. It was a homely face, yet, curiously enough, not unattrac

I asked a boy for Mr. O'Brien, and he tive, and there was something straightforsaid:

"Soap department."

I went along the main railing, inquiring for the soap department, and a sharpeyed youth (in the pickled snouts department) with a pencil on his ear, undertook to take me to O'Brien.

As I passed along with him, I found myself the attacked of many eyes. A new girl is always an object of interest and speculation in the yards. I tried to look unconcerned and unaware, an impossibility, especially as some of the clerks coughed as I went by, some grinned at me, one winked, and one softly whistled. I felt ashamed and silly, and a fierce sort of pity for myself that I should have to go through this.

"Lady for you, Fred," at last sang out my escort as we approached an inclosure, and then smiling, he opened a little gate, and half pushed, half led, me in.

I found myself at the elbow of a long, lanky young man who was doubled over in such a position that his spine looked humped up in the middle. He had a large box before him, in which were a lot of pieces of soap, and he kept picking up pieces and examining them, sometimes smelling them. There was one other person in the inclosure, or department, and he was a very red-haired, freckle-faced boy of about twelve.

For some time the long, lanky young man did not even look up, but continued to examine the soap. I was beginning to think he was ignorant of my presence at his elbow when he said, without taking his nose out of the box, and shifting his unlighted cigar from one side of his mouth to the other, in a snarling sort of voice, like the inquiring bark of a surly dog:

"Wa-al, what d' yer want?"

ward about it. He wore his hat on the back of his head, and he did not remove it in honor of me. After scrutinizing me in one quick glance, in which I felt he had taken in all my weaknesses and defects, he said in a less-snarling tone:

"Sit down."

I sat.

Lolly's card I timidly proffered. He took it, stared at it with an astonished expression, and then snorted so loudly it made me think of Estelle, and felt a quaking fear that Lolly's card was a poor recommendation. He spat after that snort, looked at me again, and said:

"Well, I like her nerve!"

Of course, as I was not aware of just what he meant by that (I subsequently learned that Lolly had gone to work for O'Brien supposedly as a stenographer, and then had written up and exposed certain conditions in the yards), I stared at him questioningly, and he repeated with even more eloquent emphasis:

"Well, I like her nerve! It beats the Dutch!"

me.

Then he chuckled, and again scrutinized

"That all the reference you got?" he asked.

I produced Mr. Campbell's, and as I watched him read it with a rather puzzled expression, I hastily produced Canon Evans's reference as to my character, which my father had sent me for the Y. W. C. A. O'Brien handed the letters back to me without comment, but he kept Lolly's card, putting it carefully away in his card-case, and chuckling as he did so.

"What do you know?" at last he said to me. "Good stenographer, are you?" "Yes, very good," I eagerly assured him.

"Humph! How much salary do you expect to get?"

"I got ten a week in the West Indies," I said. I never even thought that that "free board" at the hotel amounted to something, too. Ten dollars was my salary, and so I said ten.

He hugged his chin reflectively, studying me, and after a moment he said:

"I was n't expecting to take any one on for a day or two, but so long as you 're here, and come so highly recommended," --and he grinned,-"you may stay. Salary fifteen per."

"Oh, thank you!" I said so fervently that he got angrily red, and turned away.

The red-haired office boy, who had been acutely listening to the conversation, now came up to me and pertly asked me if I was engaged. Which insolent question I at first declined to answer. When I realized that he did not mean engaged to be married, but engaged for the position, then I said, with scarlet face, that I was. "Red Top," as they called him, then showed me my desk, next to Mr. O'Brien's, filled my ink-wells, brought me pens, pencils, and note-books. I was inwardly congratulating myself that there was no sign of a type-writer when the boy pulled up the lid of my desk, and, lo! there was a fine, glistening machine.

I suppose some girls really take a sort - of pride in their machine, just as a trainer does in his horse. I confess that I felt no fond yearnings toward mine, and while I was debating how in the world I was ever going to copy the letters, Mr. O'Brien pulled out a slat on my desk, leaned over, and began to dictate. All the time he was dictating he was chewing tobacco, stopping once in a while to spit in a cuspidor at his feet, and watching my face out of the corner of his eye. This was a sample of the letters I took, and you can judge of my feelings as I wrote:

Messrs. So and So.

Gentlemen:

I send you F.O.B. five hundred broken babies, three hundred cracked babies, one thousand perfect ones, etc.

Broken babies, cracked babies, perfect ones! What sort of place was this, anyway? The pigs' hair department was mystifying and horrifying enough, and I had heard that sausages were made from dogs and horses; but a trade in babiescracked and broken!

I suppose my face must have betrayed my wonder and perhaps horror, for O'Brien suddenly choked, though I don't know whether he was laughing or coughing, but he made a great noise. Then he said, clearing his throat: "Got all that?"

I nodded.

"That's all," he said, and turned back to his soap-box. There was nothing for me to do now but to type-write those letters. I stared at that machine blindly, and to put off the evil moment, I tried to engage my "boss" in conversation while pretending to dust the machine.

"Mr. O'Brien, have-have you many babies here?" I asked.

"Thousands," he returned.

"It must be like a hospital," said I.

He grunted. I've often thought that O'Brien delighted to put stenographers through that "baby" joke, but I don't suppose any other girl was ever quite so gullible as I.

"I'd like to see some of them," I said. "You 're looking at them now," said he. I looked about me, but I saw no babies. O'Brien was digging down in the box. Suddenly he tossed up a handful of odd-shaped pieces on his desk. Then I understood. They were all in the shape of babies-Wool-Soap babies! O'Brien, with his tobacco in his cheek, thought it a good joke on me.

I stuck the paper into the type-writer, and then I began slowly to write, pecking out each letter with my index-finger. I felt rather than saw O'Brien slowly turning round in his seat, and though I dared not look up, I felt both his and Red Top's amazed eyes on my slowly moving fingers. Suddenly O'Brien stood up.

"Well, upon my word," said he, "you sure are a twin of that friend of yours! I like your nerve!"

I sat still in my seat, just staring at the type, and a fearful lump came up in my throat and almost choked me. I could not see a thing for the tears that came welling up despite myself, but I held them back fiercely.

Suddenly O'Brien snapped out in his most angry and snarling tone:

"Say, who are you staring at, anyway?" I thought he meant me, and I started to protest that I was merely looking at the at the type, when I heard the feet of Red Top shuffle, and he said, oh, so meekly and respectfully:

"Yes, sir; I ain't staring at her, sir." I was relieved, anyway, of a part of the pressure, for the office boy was now busy at some files. I found enough courage at last to look at O'Brien. He was studying me as if I were some strange curiosity that both amused and amazed him.

"You 're a nice one, are n't you," said he, "to take a job at fifteen per as an experienced and expert stenographer and-"

I said quickly:

"I am an expert stenographer. It's just the type-writing I can't do, and, oh! if you 'll only give me a chance, I'll learn it in a few days, honestly I will. I'm cleverer than most girls, really I am. I taught myself shorthand, and I can typewriting, too. I'll practise every night, and if you 'll just try me for a few days, I'll work so hard-and you won't be sorry; I'm sure you won't."

I got this all off quickly and warmly. To this day I do not know what impulse moved Fred O'Brien to decide that he wanted me as his stenographer. His was an important department, and he could have had as good a stenographer as fifteen dollars a week will get, and that 's a fair salary for work of that kind. Here was I, palpably a green girl, who could not type a line! No man's voice ever sounded nicer than that gruff young Irishman's when he said that I could stay, that for the first week I could do the letters by hand; but I was to practise every opportunity I got, and I could help him at lot if I would write the letters without

making it necessary for him to dictate them.

In justification of my boast to O'Brien that I would "make good," let me say that I stayed in his department all the time I was at the yards, and this is the reference he gave me when he himself left to take charge of the New York office:

To Whom it may Concern:

This is to certify that Miss Nora Ascough, who has been in my employ for the past few months as stenographer and typewriter, is an A No. 1 Crack-a-Jack.

Smith & Co. Per, Fred O'Brien, Mgr.

Some one once said of me that I owed my success as a writer mainly to the fact that I used my sex as a means to help me climb. That is partly true not only in the case of my writing, but of my work as a stenographer. I have been pushed and helped by men who liked me, but in both cases I made good after I was started.

I think it would have broken my heart not to have "made good" to Fred O'Brien after he had trusted me in this way. This man, the first I worked for in America, was probably the best friend I ever had. or will have. I do not mean so much while I worked for him, but later in my life.

I have spoken of the mild sensation I made as I walked down that main aisle. All through the day, in whatever direction I looked, I encountered interested eyes bent upon me. Some were those of girls like myself, some office boys, a number of department managers, and nearly all the clerks in my vicinity. Some craned their necks to get a glimpse of me, some came officiously to talk to O'Brien. Thus it was an embarrassing day for me, especially at luncheon-hour, when I did not know quite what to do. Then a girl from another department came over and asked me to go to luncheon with her. She said that her "boss," whose name was Hermann, and who was a chum of O'Brien, had bade her look out for me.

She pointed Hermann out to me as we passed along, and he seized his hat, and came after us; but as he was passing our

department, O'Brien seized him, and, looking back, I saw them both laughing, and I felt sure O'Brien was telling him about me.

Hermann was about twenty-five. He had a stiff thatch of yellow hair which he brushed up straight, and which stood up just like bristles on his head. He had wide-awake eyes, and looked like a human interrogation-point, dressed very dudishly, and flirted right and left with all the girls. Though born in America, and wiry and active, nevertheless there was the stamp of "Made in Germany" everywhere upon him. Later in the afternoon he stuck so insistently about our department that O'Brien finally introduced us, and then said with a grin:

"Now clear out. You got what you wanted."

Two or three departments to the left of me I had noticed a very blond, plumpish, rather good-looking young man, who watched me unceasingly throughout the day, but, whenever I looked at him, would blush, just like a girl, and look down and fuss with papers on his desk. Well, about the middle of the afternoon, and while O'Brien was away from the department, a boy came over and laid a note on my desk. It was folded ingeniously, twisted into a sort of bow-knot, and it was addressed, "Stenographer, Soap Dept."

I thought it was some instruction from O'Brien, especially as the boy said: "Any answer?"

I unfolded the note, and this is what I read:

I'm stuck on you. Will you keep company with me?

I had to laugh, though I knew my furiously red swain was watching me anxiously.

"Any answer?" again asked the boy. I wrote on a piece of paper the one word, "Maybe."

People who have called me clever, superior, etc.,-oh, all women writers get accused of such things!-have not really reckoned with a certain weak and silly side to my character. If as I proceed with

this chronicle I shock you with the ease and facility with which I encouraged and accepted and became constantly engaged to men, please set it down to the fact that I always felt an inability to hurt by refusing any one who liked me enough to propose to me. I got into lots of trouble for this, -call it moral lack in me,- but I could not help it at the time. Why, it's just the same way that I once felt in a private Catholic hospital, and little Sister Mary Eulalia tried to convert me. Out of politeness and because I loved her, I was within an ace of acknowledging her faith, or any other faith she might choose.

If you could have seen the broad smile of satisfaction that wreathed the face of my first stock-yards "mash," you, in my place, would not have regretted that little crumb of hope that I had tossed him. Yet I had no more intention of "keeping company" with him than I had of flying.

It pleases me much to record that on this my first day in the yards I received three "mash" notes, which one of the girls later told me "was going it some for fair." My second note was a pressed flower, accompanied by these touching lines:

The rose is red; the violet 's blue,
Honey 's sweet, and so are you!
And so is he, who sends you this,

And when we meet we 'll have a kiss.

I don't know who sent me this, but I suspected an office boy in a neighboring department.

My third note came just about an hour before leaving. It was from Hermann, and in a sealed envelop. It was as follows:

How about "Buffalo Bill" to-night?

O'Brien leaned over me as I opened the note, deliberately took it from me, and read it. As he did so, Hermann stealthily pelted him with tightly chewed wads of paper, though, from his hunched-over position at his desk, no one would have suspected who was throwing those pellets. I saw him, however, and he winked at me as if I were in a conspiracy with him, and as much as to say:

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By WILLIAM ROSE BENÉT

DON'T you see the horses trampling down the street,

Great white chargers, with their heavy gilded feet, With caparisons embroidered in an azure flapping ample

Don't you hear them, don't you hear them? Trumple-trample, trumple-trample! From fetlock to forelock they loom shaggy and gigantic.

Their manes and tails are flowing like the silver-frothed Atlantic;

Their eyes are kind and brown like the wood pools out of town;

And their knights bear forest branches for the spears of their renown.

All around you in the ranks of department stores and banks,
Hotels and office buildings, restaurants and flats and towers,
A million brains of weary folk are throbbing through the hours
With wishes tremendous,-from some of which defend us;
Employers, for a few of them, would very likely end us,-
But most are longings old for the country to enfold
And drown them in its purple and its greenery and gold

Or its fleece of dazzling white, with a star-blaze through the night.

They are longing for the clean air of the land of lost delight.

Therefore come the horses, white dream-steeds to cheer and free them:

Don't you hear them trampling past you? Don't you see them, don't you see them?

I hear a sunrise shouting and a noise of clashing cymbals,
I hear a great wind roaring o'er the rattling of the timbals;
There's a horn of vast adventure that is winding overhead,
With its chords that are like colors now the sunset flushes red.
And now the black crowds pour from each office building's door.
They are only rushing homeward, but more glad than e'er before;
For they see the horses' banners, star-embroidered, blue, and ample,
Wave before them out of heaven, as the steeds mount trumple-trample
Through blue evening up to cloudland, trumple-trample, trumple-trample!

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