Studies of Shakespeare: In the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet, with Observations on the Criticism and the Acting of Those PlaysLongman Brown, Green and Longmans, 1847 - 384 psl. |
Knygos viduje
Rezultatai 1–5 iš 82
xxi psl.
... already formed and established , were in little danger of descending to adapt themselves to the monstrous physical circum- stances thus created around them ; they simply ceased to be seen and heard , felt and enjoyed , as of old . But ...
... already formed and established , were in little danger of descending to adapt themselves to the monstrous physical circum- stances thus created around them ; they simply ceased to be seen and heard , felt and enjoyed , as of old . But ...
23 psl.
... already had occasion to descant , of regarding her in the grand scene with her treacherous protectors , as possessed by a pride inherent and personal , instead of seeing that her sublime scorn and indignation spring exclusively from her ...
... already had occasion to descant , of regarding her in the grand scene with her treacherous protectors , as possessed by a pride inherent and personal , instead of seeing that her sublime scorn and indignation spring exclusively from her ...
29 psl.
... already pointed out , as to the essential qualities of the cha- racter , it would be but natural that , in the scenes where Constance and her son stand alone , deserted and betrayed , amid their treacherous friends and their triumphant ...
... already pointed out , as to the essential qualities of the cha- racter , it would be but natural that , in the scenes where Constance and her son stand alone , deserted and betrayed , amid their treacherous friends and their triumphant ...
31 psl.
... already observed , is in the very essence of the part , as it is in that of the whole Shakespearian drama . 6 Thus it is that the caressing of her boy , while seated on the ground , according to the true Shake- ACTING OF THE LADY ...
... already observed , is in the very essence of the part , as it is in that of the whole Shakespearian drama . 6 Thus it is that the caressing of her boy , while seated on the ground , according to the true Shake- ACTING OF THE LADY ...
33 psl.
... Already , in speaking of Mrs. Siddons's acting of the part , we have fully expressed our opinion as to the true reading of this important passage . We have here only to add , that Miss Faucit gives that reading , as it seems to us ...
... Already , in speaking of Mrs. Siddons's acting of the part , we have fully expressed our opinion as to the true reading of this important passage . We have here only to add , that Miss Faucit gives that reading , as it seems to us ...
Kiti leidimai - Peržiūrėti viską
Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You ... George Fletcher (essayist.) Visos knygos peržiūra - 1847 |
Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You ... George Fletcher (essayist.) Visos knygos peržiūra - 1847 |
Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You ... George Fletcher (essayist.) Visos knygos peržiūra - 1847 |
Pagrindiniai terminai ir frazės
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
Populiarios ištraukos
313 psl. - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
336 psl. - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
114 psl. - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
362 psl. - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
112 psl. - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
19 psl. - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
310 psl. - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
310 psl. - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
134 psl. - O, full of scorpions is my mind, dear wife ! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet ; they are assailable ; Then be thou jocund : ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
125 psl. - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.