the groundwork of "Fors," but to most readers nowadays as comprehensible as, twenty years ago or less, it was incomprehensible. For when, long after "Fors" had been written, Mr. Ruskin found other writers advocating the same principles and calling themselves socialists, he said that he too was a socialist.

But the socialists of various sects have complicated, and sometimes confused, their simple fundamental principles with various ways and means, to which Mr. Ruskin could not agree. He had his own ways and means. He had his private ideals of life, which he expounded, along with his main doctrine. He thought, justifiably, that theory was useless without practical example; and so he founded St. George's Company (in 1877 called St. George's Guild) as his illustration.

The guild grew out of his call, in 1871, for adherents; and by 1875 began to take definite form. Its objects were to set the example of socialistic capital as opposed to a national debt, and of socialistic labor as opposed to competitive struggle for life. Each member was required to do some work for his living, without too strict limits as to the kind, and to practice certain precepts of religion and morality, broad enough for general acceptance. He was also required to obey the authority of the guild, and to contribute a tithe of his income to a common fund, for various objects. These objects were, first, to buy land for the agricultural members to cultivate,

paying their rent, not to the other members, but to the company; not refusing machinery, but preferring manual labor. Next, to buy mills and factories, to be likewise owned by the guild and worked by members, using water power in preference to steam (steam at first not forbidden), and making the lives of the people employed as well spent as might be, with a fair wage, healthy work, and so forth. The loss on starting was to be made up from the guild store, but it was anticipated that the honesty of the goods turned out would ultimately make such enterprises pay, even in a commercial world. Then, for the people employed and their families, there would be places of recreation and instruction, supplied by the guild, and intended to give the agricultural laborer or mill-hand, trained from infancy in guild schools, some insight into literature, science, and art, and tastes which his easy position would leave him free to cultivate.

So far the plan was simple. It was not a colony, but merely the working of existing industries in a certain way. Anticipating further development of the scheme, Mr. Ruskin looked forward to a guild coinage, as pretty as the Florentines had; a costume as becoming as the Swiss; and other Platonically devised details, which were not the essentials of the proposal, and never came into operation. But some of his plans were actually realized.

The chief objects of "St. George " come under

three heads, as we have just noticed: agricultural, industrial, and educational. The actual schools would not be needed until the farms and mills had been so far established as to secure a permanent attendance. But meanwhile provision was being made for them, both in literature and in art. The "Bibliotheca Pastorum" was to be a comprehensive little library, far less than the 100 books of the "Pall Mall Gazette," and yet bringing before the St. George's workman standard and serious writing of all times. It was to include, in separate volumes, the Books of Moses and the Psalms of David and the Revelation of St. John. Of Greek, the Xenophon; Hesiod, which Mr. Ruskin undertook to translate into prose. Of Latin, the first two Georgics and sixth Eneid of Virgil, in Gawain Douglas's translation. Dante; Chaucer, excluding the "Canterbury Tales," but including the "Romance of the Rose;" Gotthelf's "Ulric the Farmer," from the French version which Mr. Ruskin had loved ever since his father used to read it him on their first tours in Switzerland; and an early English history by an Oxford friend. Later were published Sir Philip Sidney's psalter, and Mr. Ruskin's own biography of Sir Herbert Edwardes, under the title of “A Knight's Faith."

These books were for the home library; reference works were bought to be deposited in central libraries, along with objects of art and science. It was not intended to keep the guild property

centralized, but rather to spread it, as its other work was spread, broadcast. A number of books and other objects were bought with the guild money, and lent or given to various schools and colleges and institutions where work akin to the objects of the guild was being done. But for the time Mr. Ruskin fixed upon Sheffield as the place of his first guild museum, - being the home of the typical English industry, central to all parts of England, near beautiful hill-country, and yet not far from a number of manufacturing towns in which, if St. George's work went on, supporters and recruits might be found.

The people of Sheffield were already, in 1875, building a museum of their own, and naturally thought that the two might be conveniently worked together. But that was not at all what Mr. Ruskin wished. Not only was his museum to be primarily the storehouse of the guild, rather than one among many means of popular education, but the objects which he intended to place there were not such as the public expected to see. He had no interest in a vast accumulation of articles of all kinds. He wanted to provide for his friends' common treasury a few definitely valuable and interesting examples, -interesting to the sort of people that he hoped would join the guild or be bred up in it; and valuable according to his own standard and experience. The complete sets of stuffed animals or fossils, for example, that are found in any provincial museum; the ordinary

books and pictures and casts of the town library and gallery; all that can be readily seen elsewhere not to say all that is of doubtful worth was to be excluded. Fine specimens of natural products, such as precious stones and the more beautiful minerals; casts from the best and least known sculpture; expensive reference books; a few genuine pictures by old masters, plenty of good copies, such as could now be produced by artists whom he had trained, and records of architecture which was rapidly passing away, - every separate object separately noteworthy, this was the kind of material which would interest the mind and stimulate the imagination, more than a wearisome multitude of mediocrities.

In September, 1875, while traveling by short stages from Brantwood to London, Mr. Ruskin stayed a couple of days at Sheffield to inspect a cottage at Walkley, in the outskirts of the town, and to make arrangements for founding the museum, humbly to begin with, but hoping for speedy increase. He engaged as curator, at a salary of £40 a year and free lodging on the premises, his former pupil at the Working Men's College, Henry Swan, who had done occasional work for him in drawing and engraving. Swan was a Quaker, and a remarkable man in his way; enthusiastic in his new vocation, and interested in the social questions which were being discussed in "Fors." Under his care the museum remained at Walkley, accumulating material in the tiny and