Essays on the Picturesque, as Compared with the Sublime and the Beautiful: And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, 1 tomasJ. Mawman, 1810 |
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xxiv psl.
... ground 193 in trees 196 in buildings 197 Ugliness in colours . 199 Effect of ugliness and deformity compared 200 Illustrated by sounds .... 201 ...... 202 Effects of the picturesque , when mixed with ugliness . . . . . . The excess of ...
... ground 193 in trees 196 in buildings 197 Ugliness in colours . 199 Effect of ugliness and deformity compared 200 Illustrated by sounds .... 201 ...... 202 Effects of the picturesque , when mixed with ugliness . . . . . . The excess of ...
xxvi psl.
... ground and water An exception with regard to the sea The variety and intricacy of trees Those which are fullest of leaves , not always preferred by painters The reasons Plantations made for ornament , the least suited to the painter The ...
... ground and water An exception with regard to the sea The variety and intricacy of trees Those which are fullest of leaves , not always preferred by painters The reasons Plantations made for ornament , the least suited to the painter The ...
1 psl.
... grounds is so much cultivated as it now is in England . Formerly the decorations near the house were infinitely more mag- nificent and expensive than they are at present ; but the embellishments of what are called the grounds , and of ...
... grounds is so much cultivated as it now is in England . Formerly the decorations near the house were infinitely more mag- nificent and expensive than they are at present ; but the embellishments of what are called the grounds , and of ...
14 psl.
... grounds . A painter , or whoever views objects with a painter's eye , looks with indifference , if not with disgust , at the clumps , the belts , the made water , and the eternal smoothness and sameness of a finished place . An improver ...
... grounds . A painter , or whoever views objects with a painter's eye , looks with indifference , if not with disgust , at the clumps , the belts , the made water , and the eternal smoothness and sameness of a finished place . An improver ...
17 psl.
... ground made every where quite smooth and level , and each group left upon the grass per- fectly distinct and separate . Having been accustomed to whiten all distant buildings , those of Claude , from the effect of his soft vapoury at ...
... ground made every where quite smooth and level , and each group left upon the grass per- fectly distinct and separate . Having been accustomed to whiten all distant buildings , those of Claude , from the effect of his soft vapoury at ...
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Kiti leidimai - Peržiūrėti viską
Essays on the Picturesque, as Compared with the Sublime and the Beautiful ... Sir Uvedale Price Trumpų ištraukų rodinys - 1971 |
Essays on the Picturesque, as Compared with the Sublime and the Beautiful ... Sir Uvedale Price Trumpų ištraukų rodinys - 1971 |
Essays on the Picturesque, as Compared with the Sublime and the ..., 3 tomas Uvedale Price Peržiūra negalima - 2018 |
Pagrindiniai terminai ir frazės
according admired Æschylus animals appearance arbutus art of painting artist avenue banks belt breadth broken Brown buildings Burke called Caravaggio character charms circumstances Claude clumps Colonna palace colour colours of spring Correggio deformity degree delight distinct Domenico Feti effect equally expression firs foliage freshness gardening give grand grandeur ground idea of beauty imitated impression improver intricacy irritation kind landscape less light and shadow lines look manner means ment mind monotony nature neral ness objects observed ornament painter Palladian architecture peculiar perhaps picturesque Pietro da Cortona plantations planted pleasure prevail principles produced racter Rembrandt Repton resque rich river rough Rubens Salvator Rosa scenery scenes seems sense shade shew shewn Sir Joshua Reynolds smooth soft spect striking strongly marked style sublime sudden supposed symmetry taste thing tints tion Titian trees ture turesque ugliness varied variety Venetian whole wood word
Populiarios ištraukos
97 psl. - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
132 psl. - Making it momentary as a sound, Swift as a shadow, short as any dream, Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
100 psl. - Appear like mice; and yon' tall anchoring bark, Diminish'd to her cock; her cock, a buoy Almost too small for sight: The murmuring surge, That on the unnumber'd idle pebbles chafes, Cannot be heard so high: — I'll look no more; Lest my brain turn, and the deficient sight Topple down headlong.
190 psl. - The other shape, If shape it might be call'd that shape had none Distinguishable in member, joint, or limb ; Or substance might be call'd that shadow seem'd, For each seem'd either: black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
64 psl. - Archangel ; but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek ; but under brows Of dauntless courage, and considerate pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion...
87 psl. - THE passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment : and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.
116 psl. - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
51 psl. - A temple or palace of Grecian architecture in its perfect entire state, and with its surface and colour smooth and even, either in painting or reality is beautiful; in ruin it is picturesque.
63 psl. - In our own species, objects merely picturesque are to be found among the wandering tribes of gypsies and beggars, who, in all the qualities which give them that character, bear a close analogy to the wild forester and the worn out cart horse, and again to old mills, hovels, and other inanimate objects of the same kind.
163 psl. - ... else has retired into obscurity ; it still forces itself into notice, still impudently stares you in the face. An object of a sober tint, unexpectedly gilded by the sun, is like a serious countenance suddenly lighted up by a smile ; a whitened object like the eternal grin of a fool.