Which every noble Roman bears of you. They are all welcome. [They whisper. What watchful cares do interpose themselves Betwixt your eyes and night? Cas. Shall I entreat a word? here? Casca. No. Doth not the day break Cin. O, pardon, sir, it doth; and yon gray lines, That fret the clouds, are messengers of day. Casca. You shall confess that you are both deceived. Some two months hence, up higher toward the north Bru. Give me your hands all over, one by one. Bru. No, not an oath. If not the face of men, But if these, As I am sure they do, bear fire enough To kindle cowards, and to steel with valor 1 Johnson thus explains this passage:-"The face of men' " is the "countenance, the regard, the esteem of the public;" in other terms, honor and reputation; or the face of men may mean "the dejected look of the people." Mason thought we should read, "the faith of men." 2 Steevens thinks there may be an allusion here to the custom of decimation, i. e. the selection by lot of every tenth soldier, in a general mutiny, for punishment. What need we any spur but our own cause, That this shall be, or we will fall for it? Nor the insuppressive mettle of our spirits, If he do break the smallest particle Of any promise that hath passed from him. Cas. But what of Cicero? Shall we sound him? I think he will stand very strong with us. Casca. Let us not leave him out. Cin. And buy men's voices to commend our deeds. 2 Bru. O, name him not; let us not break with him; For he will never follow any thing That other men begin. Cas. Then leave him out. Casca. Indeed, he is not fit. Dec. Shall no man else be touched but only Cæsar? Cas. Decius, well urged;-I think it is not meet, Mark Antony, so well beloved of Cæsar, Should outlive Cæsar. We shall find of him 1 Though cautelous is often used for wary, circumspect, by old writers, the context shows that Shakspeare uses it here for artful, insidious. 2 i. e. break the matter to him. A shrewd contriver; and, you know, his means, Let Antony and Cæsar fall together. Bru. Our course will seem too bloody, Caius Cassius, To cut the head off, and then hack the limbs ; Let us be sacrificers, but not butchers, Caius. Cas. 2 Is to himself; take thought, and die for Cæsar; Treb. There is no fear in him; let him not die; For he will live, and laugh at this hereafter. Bru. Peace; count the clock. [Clock strikes. 1 Envy here, as almost always by Shakspeare, is used for malice. Cas. The clock hath stricken three. Treb. 'Tis time to part. Cas. Dec. Never fear that. If he be so resolved, For I can give his humor the true bent; Cas. Nay, we will all of us be there to fetch him. Bru. Now, good Metellus, go along by him; He loves me well, and I have given him reasons. Send him but hither, and I'll fashion him. 4 1 Whether. 2 Main opinion is fixed opinion, general estimation. Fantasy was used for imagination or conceit in Shakspeare's time. Ceremonies signify omens or signs deduced from sacrifices or other ceremonial rites. 3 Unicorns are said to have been taken by one, who, running behind a tree, eluded the violent push the animal was making at him, so that his horn spent its force on the trunk, and stuck fast. Bears are reported to have been surprised by means of a mirror, which they would gaze on, affording their pursuers an opportunity of taking the surer aim. Elephants were seduced into pitfalls, lightly covered with hurdles and turf, on which a proper bait to tempt them was placed. 4 i. e. by his house; make that your way home. Cas. The morning comes upon us. you, Brutus ; We'll leave And, friends, disperse yourselves; but all remember 1 And so, good-morrow to you every one. [Exeunt all but BRUTUS. Boy! Lucius!-Fast asleep?-It is no matter; Enjoy the honey-heavy dew of slumber. Thou hast no figures, nor no fantasies, Which busy care draws in the brains of men; Therefore thou sleep'st so sound. Por. Enter PORTIA. Brutus, my lord! Bru. Portia, what mean you? Wherefore rise you now? It is not for your health, thus to commit Your weak condition to the raw-cold morning. Por. Nor for yours, neither. You have ungently, Stole from my bed; and yesternight, at supper, I urged you further; then you scratched your head, Which seemed too much enkindled; and, withal, 1 "Let not our faces put on, that is, wear or show our designs." 2 Shapes created by imagination. |