Impersonality: Seven EssaysUniversity of Chicago Press, 2009-11-15 - 272 psl. Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernismwriters for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no ones voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. To consent to being anonymous, Weil wrote, is to bear witness to the truth. But how is this compatible with social life and its labels? Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibilityfrom a truth that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve. |
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xvi psl.
... sense that they are not perceived , as in the case of mental dullness , but rather that the meaning and the value of the distinctions between things , and therewith of the things themselves , are experienced as meaningless , throws ...
... sense that they are not perceived , as in the case of mental dullness , but rather that the meaning and the value of the distinctions between things , and therewith of the things themselves , are experienced as meaningless , throws ...
xvii psl.
... sense that it can't be attributed to a form of knowingness , but not alien to his character in the sense that its force supplants intention and agency , arising in the place where agency was expected to be . A thrill emerges in another ...
... sense that it can't be attributed to a form of knowingness , but not alien to his character in the sense that its force supplants intention and agency , arising in the place where agency was expected to be . A thrill emerges in another ...
3 psl.
... sense of both the strangeness and the seduction of impersonality, as he encountered it in the music and doctrines of the Far East (This is the teaching that went across all the east of Asia and by only touching a country made it strong ...
... sense of both the strangeness and the seduction of impersonality, as he encountered it in the music and doctrines of the Far East (This is the teaching that went across all the east of Asia and by only touching a country made it strong ...
9 psl.
... sense in which these forces can be called unconscious seems doubtful ; a life driven by desire kept unconscious and therefore perverted produces dull lips , while a life tormented by desire consciously admitted as such but denied ...
... sense in which these forces can be called unconscious seems doubtful ; a life driven by desire kept unconscious and therefore perverted produces dull lips , while a life tormented by desire consciously admitted as such but denied ...
14 psl.
... sense of all limited beings, hence of all other things (11). Therefore the concept of a first original being (11), which can- not be known theoretically, is necessary for practical reason as a condition of the moral endeavor. When ...
... sense of all limited beings, hence of all other things (11). Therefore the concept of a first original being (11), which can- not be known theoretically, is necessary for practical reason as a condition of the moral endeavor. When ...
Turinys
1 | |
Jonathan Edwardss The Virtue | 21 |
Emersons Experience | 53 |
Emersons Impersonal | 79 |
Simone Weils Performance of Impersonality | 108 |
T S Eliots Four Quartets | 144 |
The Unpersonified Impersonal in Melvilles Billy Budd | 180 |
Notes | 205 |
Index | 247 |
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Pagrindiniai terminai ir frazės
affect argue attention beauty benevolence Billy Budd Billy's body Brunetto Buddha faces Buddhist called character cited parenthetically Claggart claim constitute contradiction Dante dead death dissociation distinction divine Divinity School Address East Coker Edwards's Eliot Emerson's essays Empson entity essay's Essays and Lectures existence eyes fact fate feeling Four Quartets Further references genius ghost grief happiness hereafter abbreviated Herman Melville human idea identified imagine imperative impersonal individual instance Joel Porte John Haffenden Jonathan Edwards Little Gidding look loss manifestation Melville Melville's mind mistake moral nature object Over-soul pain Parfit particular passage perception personal identity philosophy poem Press question Ralph Waldo Emerson references are cited reiterated relation repr representation Schopenhauer sense sentence Simone Weil soul speaker specifically spiritual suttas T. S. Eliot things thought tion trans True Virtue understanding Univ Vere violence voice Weils William Empson words
Populiarios ištraukos
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