Impersonality: Seven EssaysUniversity of Chicago Press, 2009-11-15 - 272 psl. Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernismwriters for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no ones voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. To consent to being anonymous, Weil wrote, is to bear witness to the truth. But how is this compatible with social life and its labels? Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibilityfrom a truth that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve. |
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xiii psl.
... death of his five-year-old child) becomes the spectacularly undifferentiated common denominator of all experience the mirror in which the features of all experience can be read. In Eliot's Four Quartets violence is a consequence of the ...
... death of his five-year-old child) becomes the spectacularly undifferentiated common denominator of all experience the mirror in which the features of all experience can be read. In Eliot's Four Quartets violence is a consequence of the ...
xvii psl.
... death becomes reunderstood as determinants with no exceptionality. For Weil, the thrill arises from the fact that attention could liberate being from personalitya thrill at the heart of Empson's fascination with Buddha faces. How the ...
... death becomes reunderstood as determinants with no exceptionality. For Weil, the thrill arises from the fact that attention could liberate being from personalitya thrill at the heart of Empson's fascination with Buddha faces. How the ...
2 psl.
... death is somehow of the highest value (A 536)gave fruit to millions of men (CP 151). Empson elaborated: And this is what [the Fire Sermon] said, and it said, Death, there is no other possible good thing but death, and it said that ...
... death is somehow of the highest value (A 536)gave fruit to millions of men (CP 151). Empson elaborated: And this is what [the Fire Sermon] said, and it said, Death, there is no other possible good thing but death, and it said that ...
3 psl.
... death wishes in Buddhist doctrine are trivial by comparison with the values which grow in their shadow (A 544), it was ideas like these he had in mind. Empson's capacity to make available his persistent sense of both the strangeness ...
... death wishes in Buddhist doctrine are trivial by comparison with the values which grow in their shadow (A 544), it was ideas like these he had in mind. Empson's capacity to make available his persistent sense of both the strangeness ...
5 psl.
... death narrativesgrows perspectivally uncanny in the clarification of the Buddha's final instruction. The content of that teaching (You should live as islands unto yourselves, being your own refuge . . .with the Dhamma...as a refuge ...
... death narrativesgrows perspectivally uncanny in the clarification of the Buddha's final instruction. The content of that teaching (You should live as islands unto yourselves, being your own refuge . . .with the Dhamma...as a refuge ...
Turinys
1 | |
Jonathan Edwardss The Virtue | 21 |
Emersons Experience | 53 |
Emersons Impersonal | 79 |
Simone Weils Performance of Impersonality | 108 |
T S Eliots Four Quartets | 144 |
The Unpersonified Impersonal in Melvilles Billy Budd | 180 |
Notes | 205 |
Index | 247 |
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Pagrindiniai terminai ir frazės
affect affliction attention benevolence Bhikkhu Bodhi Billy Budd Billys body Brunetto Buddha faces called character child cited parenthetically Claggart claim constitute Dante dead defined definition difficulty dissociation distinction divine Divinity School Address East Coker Edwardss Eliot Emersons essays Empson entity essays Essays and Lectures existence experience eyes fact fate feeling figure finally find fire first Four Quartets Further references ghost Gods grief hereafter abbreviated Herman Melville human idea identified imperative impersonal individual infinite instance Jonathan Edwards Little Gidding mans manifestation Melville Melvilles mind narrators nature object ones Over-soul pain Parfit particular passage perception personal identity philosophy poem Press question Ralph Waldo Emerson references are cited reflections reiterated relation representation sacrifice sense Simone Weil soul speaker specifically spiritual suttas T. S. Eliot things thought tion trans True Virtue understanding Univ Veres violence voice Weils writing William Empson words
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