Impersonality: Seven EssaysUniversity of Chicago Press, 2009-11-15 - 272 psl. Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernismwriters for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no ones voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. To consent to being anonymous, Weil wrote, is to bear witness to the truth. But how is this compatible with social life and its labels? Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibilityfrom a truth that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve. |
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vi psl.
... 6 " The Sea's Throat " : T. S. Eliot's Four Quartets 7 144 " Lines of Stones : The Unpersonified Impersonal in Melville's Billy Budd 180 Notes 205 Index 247 Preface This is a collection of essays on impersonality in.
... 6 " The Sea's Throat " : T. S. Eliot's Four Quartets 7 144 " Lines of Stones : The Unpersonified Impersonal in Melville's Billy Budd 180 Notes 205 Index 247 Preface This is a collection of essays on impersonality in.
ix psl.
... Billy Budd the mercurial quality of being is dramatized by the instantaneousness with which a character defined as a peacemaker becomes a killer . For Emerson , Eliot , Weil , and Empson the recognition of momentariness which renders ...
... Billy Budd the mercurial quality of being is dramatized by the instantaneousness with which a character defined as a peacemaker becomes a killer . For Emerson , Eliot , Weil , and Empson the recognition of momentariness which renders ...
x psl.
... Billy Budd a category crossing between the human and the nonhuman results in characters possessing the same plastic and contradictory features of the universe to which the charac- terological is irrelevant. This has a corollary in ...
... Billy Budd a category crossing between the human and the nonhuman results in characters possessing the same plastic and contradictory features of the universe to which the charac- terological is irrelevant. This has a corollary in ...
xi psl.
... Billy Budd's relation to the French Revolution: The absoluteand to Melville an absolute was incorpo- rated in the Rights of Manspells doom to everyone when it is introduced into the political realm (A 84). For Arendt, the absolute ...
... Billy Budd's relation to the French Revolution: The absoluteand to Melville an absolute was incorpo- rated in the Rights of Manspells doom to everyone when it is introduced into the political realm (A 84). For Arendt, the absolute ...
xii psl.
... Billy Budd the transgression of a goodness beyond virtue which exceeds the transgression of an evil beyond vice could be construed only as violent , since it plays havoc with ethical and evaluative hierarchies . In the writings I ...
... Billy Budd the transgression of a goodness beyond virtue which exceeds the transgression of an evil beyond vice could be construed only as violent , since it plays havoc with ethical and evaluative hierarchies . In the writings I ...
Turinys
1 | |
Jonathan Edwardss The Virtue | 21 |
Emersons Experience | 53 |
Emersons Impersonal | 79 |
Simone Weils Performance of Impersonality | 108 |
T S Eliots Four Quartets | 144 |
The Unpersonified Impersonal in Melvilles Billy Budd | 180 |
Notes | 205 |
Index | 247 |
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Pagrindiniai terminai ir frazės
affect argue attention beauty benevolence Billy Budd Billy's body Brunetto Buddha faces Buddhist called character cited parenthetically Claggart claim constitute contradiction Dante dead death dissociation distinction divine Divinity School Address East Coker Edwards's Eliot Emerson's essays Empson entity essay's Essays and Lectures existence eyes fact fate feeling Four Quartets Further references genius ghost grief happiness hereafter abbreviated Herman Melville human idea identified imagine imperative impersonal individual instance Joel Porte John Haffenden Jonathan Edwards Little Gidding look loss manifestation Melville Melville's mind mistake moral nature object Over-soul pain Parfit particular passage perception personal identity philosophy poem Press question Ralph Waldo Emerson references are cited reiterated relation repr representation Schopenhauer sense sentence Simone Weil soul speaker specifically spiritual suttas T. S. Eliot things thought tion trans True Virtue understanding Univ Vere violence voice Weils William Empson words
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The Cambridge Introduction to The Nineteenth-Century American Novel Gregg Crane Peržiūra negalima - 2007 |