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CHAPTER III.

MR. WRAY AND HIS FAMILY.

THE breakfast-things are laid in the little drawingroom at Reuben's lodgings. This drawing-room, observe, has not been hired by our friend; he never possessed such a domestic luxury in his life. The apartment, not being taken, has only been lent to him by his landlady, who is hugely impressed by the tragic suavity of her new tenant's manner and "delivery." The breakfast-things, I say again, are laid. Three cups, a loaf, half-a-pound of salt butter, some moist sugar in a saucer, and a black earthenware tea-pot, with a broken spout; such are the sumptuous preparations which tempt Mr. Wray and his family to come down at nine o'clock in the morning, and yet nobody appears!

Hark! there is a sound of creaking boots,

descending, apparently, from some loft at the top of the house, so distant is the noise they make at first. This sound, coming heavily nearer and nearer, only stops at the drawing-room door, and heralds the entry of

Mr. Wray, of course? No!-no such luck my belief is, that we shall never succeed in getting to Mr. Wray personally. The individual in question is not even any relation of his; but he is a member of the family, for all that; and as the first to come down stairs, he certainly merits the reward of immediate notice.

He is nearly six feet high, proportionately strong and stout, and looks about thirty years of age. His gait is as awkward as it well can be; his features are large and ill-proportioned, his face is pitted with the small-pox, and what hair he has on his head-not much-seems to be growing in all sorts of contrary directions at once. I know nothing about him, personally, that I can praise, but his expression; and that is so thoroughly good-humoured, so candid, so innocent even, that it really makes amends for everything else. Honesty and kindliness look out so

brightly from his eyes, as to dazzle your observation of his clumsy nose, and lumpy mouth and chin, until you hardly know whether they are ugly or not. Some men, in a certain sense, are ugly with the lineaments of the Apollo Belvidere; and others handsome, with features that might sit for a caricature. Our new acquaintance was of the latter order.

Allow me to introduce him to you :- THE GENTLE READER-JULIUS CESAR. Stop! start not at those classic syllables; I will explain all.

The history of Mr. Martin Blunt, alias "Julius Cæsar," is a good deal like the history of Mr. Reuben Wray. Like him, Blunt began life with strolling players-not, however, as an actor, but as stagecarpenter, candle-snuffer, door-keeper, and general errand-boy. On one occasion, when the company were ambitiously bent on the horrible profanation of performing Shakspeare's Julius Cæsar, the actor who was to personate the emperor fell ill. Nobody was left to supply his place-every other available member of the company was engaged in the play; so, in despair, they resorted to Martin Blunt. He

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was big enough for a Roman hero; and that was all they looked to.

They first cut out as much of his part as they could, and then half crammed the rest into his reluctant brains; they clapped a white sheet about the poor lad's body for a toga, stuck a truncheon into his hand, and a short beard on his chin; and remorselessly pushed him on the stage. His performance was received with shouts of laughter; but he went through it; was duly assassinated; and fell with a thump that shook the surrounding scenery to its centre, and got him a complete round of applause all to himself.

He never forgot this. It was his first and last appearance; and, in the innocence of his heart, he boasted of it on every occasion, as the great distinction of his life. When he found his way to London; and as a really skilful carpenter, procured employment at Drury Lane, his fellow-workmen managed to get the story of his first performance out of him directly, and made a standing joke of it. He was elected a general butt, and nick-named "Julius Cæsar," by universal acclamation. Everybody conferred on him that

classic title; and I only follow the general fashion in these pages. If you don't like the name, call him any other you please: he is too good-humoured to be offended with you, do what you will.

He was thus introduced to old Wray :

:

At the time when Reuben was closing his career at Drury Lane, our stout young carpenter had just begun to work there. One night, about a week before the performance of a new Pantomime, some of the heavy machinery tottered just as Wray was passing by it; and would have fallen on him, but for " Julius Cæsar" (I really can't call him Blunt!), who, at the risk of his own limbs, caught the tumbling mass ; and by a tremendous exertion of main strength arrested it in its fall, till the old man had hobbled out of harm's way. This led to gratitude, friendship, intimacy. Wray and his preserver, in spite of the difference in their characters and ages, seemed to suit each other, somehow. In fine, when Reuben started to teach elocution in the country, the carpenter followed him, as protector, assistant, servant, or whatever you please.

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