An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireJ. Dodsley, 1769 - 288 psl. |
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12 psl.
... fable , " feems to have been the univerfal intention , from the firft inftitu tion of the drama to this time ; and to have prevailed , not only in Europe , but in all countries where the dramatic art has been attempted . It has indeed ...
... fable , " feems to have been the univerfal intention , from the firft inftitu tion of the drama to this time ; and to have prevailed , not only in Europe , but in all countries where the dramatic art has been attempted . It has indeed ...
13 psl.
... fables anfwer the nobleft end of fable , moral in- ftruction ; next , whether his dramatic imitation has its proper dramatic excel- lence . In the latter of these articles , per- haps , there is not any thing will more affift our ...
... fables anfwer the nobleft end of fable , moral in- ftruction ; next , whether his dramatic imitation has its proper dramatic excel- lence . In the latter of these articles , per- haps , there is not any thing will more affift our ...
27 psl.
... fable of the Iliad is adapted to the political ftate of Greece , whofe various chiefs are thereby exhorted to unanimity ; the Odyffy , to the general con- dition of human nature ; but the epifodical part of his works he has enriched ...
... fable of the Iliad is adapted to the political ftate of Greece , whofe various chiefs are thereby exhorted to unanimity ; the Odyffy , to the general con- dition of human nature ; but the epifodical part of his works he has enriched ...
29 psl.
... fable exhibited to the view , and rendered palpable to the fenfes ; and every decoration of the stage is contrived to impose the delufion on the spec- tator , by confpiring with the imitation . It is addreffed to the imagination ...
... fable exhibited to the view , and rendered palpable to the fenfes ; and every decoration of the stage is contrived to impose the delufion on the spec- tator , by confpiring with the imitation . It is addreffed to the imagination ...
40 psl.
... fable , and not as the principal object of the poet or the audience . The first endeavour of the poet should be to touch the heart , the next to mend it . What would the ancients fay , who would not fuffer even the inarticulate founds ...
... fable , and not as the principal object of the poet or the audience . The first endeavour of the poet should be to touch the heart , the next to mend it . What would the ancients fay , who would not fuffer even the inarticulate founds ...
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abfurd admired affaffin affift affume againſt allegory ANTONY arife Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critic criticiſm dæmons defire diſtinguiſhed drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhion fays fcene fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpear fpecies fpectator fpeech French ftage ftate ftill fubjects fublime fuch fuperftitions fuperior fuppofed furely genius ghoft greatneſs hath heart heav'n hero himſelf hiſtorical honour imitation intereſt itſelf juft juſt king lefs Macbeth manners mind moft moſt muſt nature neceffary obferved occafion paffion perfons philofophers piece play pleaſe pleaſure poet poetry prefent purpoſes racter raiſed reaſon repreſentation repreſented reſemblance reſpect Roman ſay ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpirit ſtage ſtate ſtill ſtory ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedians tragedy tranflator uſe Voltaire whofe whoſe