Theo: The Autobiography of Theodore BikelHarperCollins, 1994 - 440 psl. Theodore Bikel is an actor: as Mitch opposite Vivien Leigh's Blanche DuBois in the original London production of A Streetcar Named Desire; opposite Bogie and Katharine Hepburn in The African Queen; as Baron Von Trapp opposite Mary Martin's Maria in the Broadway landmark The Sound of Music; and, of course, as Tevye, the sagacious milkman from the tales of Sholom Aleichem, immortalized in Fiddler on the Roof. Theodore Bikel is an activist: from his early involvement with the struggle for civil rights to his support and active campaigning for then-Senator John F. Kennedy, through his work for progressive causes the world over, from Tel Aviv to Tbilisi. And with that voice, the voice that has won him applause as a singer, and, as an actor, an Emmy, an Oscar nomination, and countless other citations for his talent and his commitment. Now, Theodore Bikel, Theo, as he calls himself, turns his voice to the telling of a truly compelling story: his own. Born in Austria, raised in Palestine, educated in England, and with a stellar career in the United States and around the world, Theo's autobiography is the story not only of his own life, but of our collective history of the past six decades, from the Third Reich to the birth of the state of Israel, the McCarthyite fifties and the struggles of the tumultuous sixties in America. All rendered in his uniquely eloquent, fiercely committed voice. It will surprise, delight, and shock you. A tale from a man you thought you knew: actor, activist, singer, writer. Theo is all of these, and so much more. |
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100 psl.
... English language and custom in evidence . One takes such cross - pollination for granted in America , which is , after all , a land of immigrants . But even in staid England the influence was , though not as pervasive , certainly ...
... English language and custom in evidence . One takes such cross - pollination for granted in America , which is , after all , a land of immigrants . But even in staid England the influence was , though not as pervasive , certainly ...
120 psl.
... English and bend it into some nondescript “ foreign " shape , spoiling their good English , as it were . The truth , however , is that foreigners do not set out to speak English badly ; on the contrary , they attempt to speak it as well ...
... English and bend it into some nondescript “ foreign " shape , spoiling their good English , as it were . The truth , however , is that foreigners do not set out to speak English badly ; on the contrary , they attempt to speak it as well ...
130 psl.
... English but- ler ; he was an expatriate Pole . His name was Taddeusz Wilczek , but he insisted on being called John . He had served in the Polish air force and had been stationed in Scotland with a unit belonging to the Free Polish ...
... English but- ler ; he was an expatriate Pole . His name was Taddeusz Wilczek , but he insisted on being called John . He had served in the Polish air force and had been stationed in Scotland with a unit belonging to the Free Polish ...
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accepted acting actors American American Jews Arab arrived artists arts asked audience became British Broadway called career cast colleagues concert cultural decided director Dylan English Equity face fact father festival Fiddler film folk music friends Galitzine gave German guitar Habimah Hebrew Hollywood Israel Israeli Jewish Jews John Huston kibbutz knew lady Las Vegas later living London looked managed ment movie musicians National Nazis needed never night Palestine peace performance Pete Seeger Peter play political president producers rehearsal role Russian Sam Spiegel sang scene script sing singer songs Soviet Soviet Union speech stage star story street studio sure talk Tel Aviv television Tevye theatre Theodore Bikel thing thought tion told took trip turned union Vegas Vivien Leigh voice walking wanted week words Yiddish York young