Discographies: Dance Music, Culture and the Politics of SoundPsychology Press, 1999 - 195 psl. Experiencing disco, hip hop, house, techno, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last last twenty-five years. It discusses the problems posed by contemporary dance culture of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure. |
Turinys
THE TRIBAL RITES OF SATURDAY NIGHT Discos and intellectuals | 1 |
MUSIC MEANING AND PLEASURE From Plato to disco | 38 |
THE METAPHYSICS OF MUSIC | 54 |
TAKE YOUR PARTNER BY THE HAND Dance music gender and sexuality | 83 |
METAL MACHINE MUSICS Technology subjectivity and reception | 110 |
NO MUSIC NO DANCING Capitalist modernity and the legacy of Puritanism | 146 |
THE POLITICS OF POPULAR CULTURE | 158 |
187 | |
193 | |
Kiti leidimai - Peržiūrėti viską
Discographies– Dance, Music, Culture and the Politics of Sound Jeremy Gilbert,Ewan Pearson Ribota peržiūra - 2002 |
Discographies– Dance Music, Culture and the Politics of Sound Jeremy Gilbert,Ewan Pearson Ribota peržiūra - 1999 |
Discographies– Dance, Music, Culture and the Politics of Sound Jeremy Gilbert,Ewan Pearson Peržiūra negalima - 2002 |
Pagrindiniai terminai ir frazės
acid house activity aesthetic ambient ambient music Angela McRobbie articulation audience authenticity Barthes bass body bourgeois British Britpop capital century chapter classical club culture Cohn consider context critical dance music dancefloor deconstruction Derrida disco distinction dominant dominant musical drugs drum Ecstasy ecstatic effects emergence experience feminine free party gabber gender genre Haçienda hip hop Ibid identity instruments Irigaray jouissance Kraftwerk listening London masculine materiality McClary MDMA means melody metaphysics modes music culture music discourse musical forms musicians narrative Nik Cohn notion offer participants particular performance phallogocentric physical play pleasure political popular culture popular music precisely Press privilege problematic produced punk Puritanism radical rave culture records relationship rhythm rock rock music Routledge Saturday Night Fever sense sexual Simon Reynolds social sound space specific status style subcultural suggest technologies Thornton timbre tion tradition values vocal voice women writing youth culture